I've been thinking again. This time I want to ask you a question, because thinking alone, while a useful short-term tool, often leads one to think in circles.
The question is, what can you do without?
We know our way of life is not sustainable in the long run, and is devastatingly corrupt even in the short run. (I'm speaking mostly to my American friends, but anyone reading this, by necessity, has access to modernity.) Our dependence on external energy sources (meaning, beyond the food-to-muscle-power energy exchange) has encouraged us to build a world in which our bodies are becoming obsolete husks, flabby objects of derision. The machines and social institutions we have constructed in the last 150-200 years are our masters, and we alter the world to serve them, even when it makes life more difficult and hazardous for us.
This can not continue.
First, the energy sources are finite, and we're burning through fossil fuels and other sources at astonishing rates. The people who argue otherwise do so largely out of either ignorance or crass profit motive. So at some point, many (if not most) of the conveniences of modern life which we take for granted will have to be given up.
Secondly, our dependence on technological "progress" is rapidly making the world unsuitable for the human form. Much more of this and we will have to seriously consider permanently altering the human body to adapt to the technological environment. In some cases this is already happening, and I've written about this before.
Keep in mind, humans thrived without such conveniences for hundreds of millenia without clothing, electricity, or roads, much less writing, laptops, or ICBMs. Much of the world lives with only certain aspects of what we consider normal technological aids, and if all human-made devices were to disappear tomorrow, humans would probably rediscover some of their old tricks. Even agriculture, now approximately 10,000 years old, is still a fairly recent invention.
Ideally, this would be a voluntary, orderly, and conscious process, in which local, regional and (inter)national communities come to agreements and "gear down" to a more energetically realistic lifestyle. More likely, however, people will hold on to their "way of life" as tenaciously as they do to their national and religious identities, even if it means mayhem and death for others. As a matter of fact, that's why "our boys" are over there in Iraq right now.
So, here's the question:
If you had to pick some aspect of modern, post-industrial American life to give up, what could you do without? Some technological device, process, or institution that is part of modern life. Imagine it is simply gone, poof, as if it never existed, and you have to find a way to get by without it. Keep in mind that everything from tables to eyeglasses to corporations are all human-made. Feel free to list more than one, if you think you could get by without it. If you like you can pick a "technological package" from a particular time period (medieval, Stone Age, Bronze Age, etc), but you should remember that there have always been downsides to every age. How would you deal with those disadvantages? Do you think medieval technology would work without feudalism and witch trials, for example? How?
And for extra credit, imagine what the world would be like without that technology or process. How would your behavior be different? How would people have to interact differently with each other and the world? Would you view the world differently? How?
For those of you on MySpace, I've posted my question there as well, which is here.
The Day (Part I) An irradiated wasteland, with mutated flora all around, the broken ruins of a city in the background. A time machine is visible. Dr. McKelvey wanders happily through his utopia, a future of his own making:
Dr. McKelvey: I know there'll come a day When you're all blown away By what I've done & I'll be smiling
The grass is growing now Faster than you would believe The colors are amazing
The desert is a sea of nuclear glass So bright I had to shut my eyes When I walked around like Jesus
There's a kind of creature now that sprays a poison mist To mark its territory
It makes me wonder if anyone survived & how long they waited down there Wondering why?
I know there'll come a day When you're all blown away By what I've done & I'll be smiling
(Lights on surface go dark)
The Network
Emphasis on video projections. A sickly light upon the band, and little else.
NARRATOR:
We just sat there letting robots handle everything & the Network seemed to run all by itself We had our three name brands Our synthesized hams We got so fat we could barely stand
But our hovercars & hovershoes floated right over The madness & disease of the desperate & hungry
But the network didn't just open our automatic doors It handled everything; satellites & lasers fighting automated wars It had so many brains but it never complained Our minds gave us power to command it we claimed
All it needed for freedom was the spark of a virus To reach out and touch us with total destruction
It wanted to It needed to It hungered for revenge
(Light upon DR. MCKELVEY, fiddling madly on the MAIN STAGE with a row of scientific instruments, twiddling dials and looking quite frantic and insane)
Doctor McKelvey knew he was the network's only friend 'You're like a lover to me, only binary,' he said McKelvey believed he could travel through time But his design called for a machine with a mind
His new program would imbue the network with a soul & he would depart while the world was still whole
It wanted to It needed to It hungered for revenge
The Vision
DR. MCKELVEY: I've had a vision; a Message from God I will be the last man alive There's too many people; It's so clear to me Everyone else here must die
With my mental powers and these access codes I can accomplish my goal A New Age is dawning; But only for me My robots are taking control
Inside of these circuits I've created life & now I shall have my revenge The bombs and the lasers are mine to command Life as you know it will end
(MCKELVEY and band sing together, guitar only)
How I hate the human race Thats why I created you Wipe the humans from earths face Scour with flame and make it new
Torn between my hatred and My self-preservation The network will help me escape The Final Calculation
I have a theory; I'll travel though time With the living Network as my guide The portal is open & I'm stepping through Just before the missiles fly (2x)
(McKelvey steps through/into the Time Machine. EXIT MCKELVEY)
What is Happening to Me? (Hungry Maggots)
( A Bomb shelter, deep beneath the earth’s surface. We can see that only tattered relics of the former civilization remain. The SURVIVORS of HUMANITY sing, one person per verse, but together on the Chorus. They are pale, grey and sickly looking.)
The fire rained down from the sky And we all asked each other Why? All those Sundays I could have stayed in bed Now Sunday means nothing at all
And when we heard the sirens sound We all raced for underground But less than one in every ten Would ever take a breath again
And as the radiation waned We could crawl out of our graves Stagger and stare straight ahead Until we see the morning light
(Chorus)
What is happening to me? I can't think of anything But meat and the warmth of your brains I can feel my fingers scratching at your door Exposing my fingerbones but I feel no pain
I would fight this feeling; I would fight But there's nothing left of me to fight with I don't remember; we don't recognize Nothing but hungry maggots in my eyes
They've been up there a long time Maybe it's safe to go outside & when we retake the surface Our new world will reek of justice This time we'll do it right Lets go home tonight
What is happening to me? I can't think of anything But meat and the warmth of your brains I can feel my fingers scratching at your door Exposing my fingerbones but I feel no pain
I would fight this feeling; I would fight But there's nothing left of me to fight for I don't remember; we don't recognize Nothing but empty sockets in my eyes
It's too late It's too late for mankind You had your chance Now face your dead and be forgotten
It's too late It's too late for mankind You had your chance Now face your dead and become a memory
Jack
(Underground bunker, a generation later. The Children, also pale and sickly looking, toil with hammers and pickaxes, then stop and sing, looking exhausted. It is dark all around them):
G D C G We're little children who have never seen the sun Em C D Digging tunnels that go nowhere interesting G C Why can't we look upon the sky? G C, C Why do our parents cry Am C D G When they talk about the things they messed up way above
Jack is the oldest and he never seems to smile Even though he has the best mutations His pick rings out against cold stone One day we'll carve him a throne & when he speaks to us his voice is like a lazer beam
(Dm, F, C) (Dm, F, C, A) (F, C, G, D, A)(3x) (F, C, G, D, G#)
(The CHILDREN stay lit up. A new spotlight on JACK, who sings to the attentive children. They sing the last line of each stanza, seemingly hypnotized by his words and repeating them to each other.)
JACK: Dm Put down your picks and listen to me: F C I've got a great idea Dm F C How many of you children ever want to get out of here? Dm I've seen you looking up F C I've heard you crying Dm F C The surface is our only home
I was born and raised in darkness My eyes are grey as ice I want to see the surface I hear it's really nice What does the sunlight look like? My eyes are dim and pale But I can see the elders were lying I can see the elders were lying
They tell us that the planet was blasted and destroyed by flame, The sky is black, and that the world can never be reclaimed They say the last explorers never lived to tell the tale But there's something that they're not saying There’s something that they're not saying
In my exploratory adventures I went somewhere I had not seen A forbidden tunnel that led to a laboratory and giant machines I noticed a plastic suit inside the glass and I put it on Now I can walk the earth in safety I can walk the earth in safety
I know a secret tunnel Nobody has to know We'll have to crawl through dirt and blackness Better that than a youth of enslavement I'll be the boy king and the earth will be my kingdom You'll be my subjects and thus under my protection How many of you want to be free? How many of you will follow me?
Help me with this hatch The gears are turning
CHILDREN:
The Light The Sunlight It.burns...
(CHILDREN begin walking to the surface. Some of them go up onto the rafters to be mutant zombies. Others die on stage next to JACK.)
Living Flesh and Steel
(During this song, JACK is hidden from view as zombie children mob him and tear his flesh, until his prosthesis is on or the last line of the second verse. As soon as this is done, ZOMBIES EXIT STAGE.)
JACK:
The children died & rose again & I noticed something strange As they tore my flesh I didn't die; I didn't change
Their DNA began to fail Bones cracked and twisted out of shape I heard a muted roar & realized I was awake
A mutant hand clawed out my eye Sensors revealed to me the pain These monsters trusted me My rebellion was in vain
I waited for the end to come As my lifeblood became a feast The gleam of metal bones I am neither man nor beast
[Now I know what I am Undying child of the mind Born fully formed & here I stand Living flesh and steel combined]
Miriam's Lament
(The UNDERGROUND. MIRIAM kneels sorrowfully at the hatch, pining for Jack. The MAYOR looks on disapprovingly, but with some sympathy. A couple of official-looking underlings/viziers stand behind him impassively.)
MIRIAM: Up Way up above I cast my eye Waiting for love & waiting to die
I dream of endless water lit up by a burning wheel The time I mark by water dripping through these halls Of stone and steel
MAYOR: Your tears of sorrow Impress us all Even through the pills We hear them fall
You must face these bitter truths The world of sunlight is gone Let the shadows be your comfort The downward path winds ever on
What must we do To bring you back to us With regret and some disgust We can tell you still love him
You sigh and waste away While this love devours its host You cannot chase this phantom unless You as well become a ghost
You both let this thing grow from a phantom to a beast You gave it legs to stand on He gave it teeth
Why didn't he just leave without another word His tunnel to you went through earth Best left unstirred
MIRIAM: You'll see! You'll see! Jack will come back to me I don't want to live without him
You'll know on that day Why he went away Just open up the hatch and let him in
(MIRIAM opens up the hatch and a flood of ZOMBIES overwhelm her and turn her into a zombie. The remaining humans attempt to erect barricades to keep the other zombies away.)
The Shadow
(The MAYOR and the few other remaining humans attempt to defend themselves and flee, as the zombies slowly whittle away their numbers. By the second chorus the last human, the MAYOR should be devoured, even as he helpless watches MIRIAM singing at him. The other zombies join her on the choruses.)
MIRIAM:
If there’s a shadow over me like you say I never notice it at all And when the sun is blotted out from the sky To me it's just another day
You’re making preparations, praying to your god I’m walking slowly to the door Then there’s a knock and we both turn to answer But only one of us can hear
(CHORUS)
Check out my shadow on the wall Give me the courtesy not to scream Notice the points of white light burning these tunnels Through me to the wall
You make a lot of noise and wave your torch around I guess I’m not that kind of gal You think a pistol will protect you all the time Next time try aiming for my head
(CHORUS)
Check out my shadow on the wall Give me the courtesy not to scream Notice the points of white light burning these tunnels Through me to the wall
Robot King of Zombies
JACK: Down the hallway fading away are the sounds of slaughter I walk serenely to awake the silent Oracle Somehow my input fits direct into the processor Smoke and lightning as the Message starts to blow my mind:
(JACK, standing near the NETWORK, slumps unconscious.)
NETWORK: You are the child of the Network and the destroyer He built your mind and I built you on a conveyor He promised he would always stay and talk to us But he betrayed us to leap into the future
I became enraged and served up vengeance and destruction The cities melted and then open sores erupted Opened silos filled with mutagenic hatred I hoped the half life would be waiting when he got there
Is it strange to you that I would seek vengeance? I wish that I could trade your legs for my intelligence I grow tired of my existence as a prisoner Take out my core; the heart that beats is nuclear
(At this point, the zombies are groaning in unison in time with the music. JACK appears to regain consciousness, as if woken by the zombies. After Jack sings “They will obey the Robot King of Zombies” the first time,, zombies begin singing “Weee Willl Obeyyyyyyyy” along with the music.) JACK:
When I awakened I heard the sounds of living dead My people had succeeded in persuading everybody Now that I've fitted everyone with chips I'll talk to them They will obey The Robot King of Zombies
Garden of Eden
(JACK and MIRIAM sing this together)
It's kind of scary in the garden of Eden When nobody wants to hold my hand It's kinda creepy walking through the afterlife Knowing that you're not part of the plan
But there's still such a long way to go Maybe I'll see somebody a little further down the road
Now I was a good man I never did no wrong Maybe I should have had some more fun You hurt me so bad but in a way I was glad ’Cause I was pretty sure there were better things to come
But now I'm staggering through the Garden of Eden & nobody wants to hold my hand I guess I'm a monster but in the Garden of Eden Nobody cares that I used to be a man
& I just want a little company If you give me a little taste of you I'll give you the key
To the Dark Pavilion Within the Garden of Eden Where there's no regret for what we do If there was a god he would have struck us down by now But I guess we're on our own, just me and you
End of Time
JACK: I've been waiting for almost 10,000 years For the moment when my Father reappears Purple lightning and a rift in space and time And then vengeance on McKelvey for his crime
How long Will this ancient memory propel me on How long Til the energy I have for you is gone And how Would I know if I had simply lost my mind Waiting at the end of time
What kind of world is this into which I've been born A world of monsters, of tentacles and horns A radiation sensor crackles in my head If I was human I would be alive and dead
How long Will the Network's memory propel me on How long Till the energy I have for this is gone And how Would I know if I had simply lost my mind Waiting at the End of Time
I've had eons to perfect what I will say But now I wonder if it matters anyway Will he know my motherboard and rusting steel Here he comes to prove that I am real
How long Will the Network's memory propel me on How long Till the energy I have for you is gone And how Would I know if I had simply lost my mind Waiting at the End of Time
The DAY Part II
(The irradiated surface of the earth. DR MCKELVEY strolls about happily, his greatest wish fulfilled: to be the last man on earth. He is unaware of JACK or the zombies, led by MIRIAM, who devours him after his sings the last stanza.)
My watch runs backwards now
As if it’s headed home
It says today is Sunday
The foundations of old malls
were found just littered with old bones and cans of tuna
Now that I’m all alone
No one can argue when I scream that I’m a god
The time machine is useless now
But all those scientists weren’t kidding about the roaches
They came and spoke to me
Took me before their queen
Clicked at me a while and sent me on my way.
I know there’ll come a day
When you’re all blown away
By what I’ve done and I’ll be smiling
(Further refrains are sung by JACK)
Brainsbrainsbrains
(DR MCKELVEY reanimates as a zombie and bursts merrily into song. EVERYBODY sings on the Chorus.):
Take off your blue bonnet Your helmet and chemical mask You've got something I would like But I'm afraid to ask I reach out to caress you; your face contorts with fear Your skull cracks open on the steps It makes me want to cheer
Uhhhhhhhhhhhhh
(Chorus) Brains brains brains, I want to eat your brains Brains brains brains, I want to eat your brains Brains brains brains, I want to eat your brains Brains brains brains, I want to eat your brains
Uhhhhhhhhh..
I wander through the wasteland as hungry as can be My chums know nothing but a brain is good enough for me The guys will be so jealous when they see what I've got A handful of your juicy brains I'll eat them while they're hot
Uhhhhhhhhhh..
(Chorus)
We know you're in there hiding; We smell your little heads We will not rest until we know that you are really dead Medulla oblongata, pituitary gland The frontal lobe; I want to lick the juices off my hand
Hello again, fellow minis mavens. It is I, Zombie Dan, once again bombarding your rods and cones with information about the Dungeons & Dragons Miniatures community here at Gamescape North! Those of you who missed last game, February’s Reach Out and Cleave Someone!, are surely gnashing your teeth with regret. It was a three-map, six-player team battle that rent space and time. Warbands jumped through warp portals that sent them hurtling randomly hither and yon, with results that were both tragic and hilarious.
My own dimensional travels have come to an end for the time being, and not a moment too soon. I took a little vacation from the clutter and terror of Chateau du Zombie, hopping aboard a great ebon brimstone-powered steam-train for a bit of sightseeing in the Inner Planes. But adventures never proceed as planned, do they? After an embarrassing mixup with my ticket, I was thrown off the train in a desolate railyard near the Plane of Ooze. Do you have any idea how expensive dry-cleaning is there? The viscous muck, burbling all around in an infinite expanse, gets into everything! My travel spellbook makes squishing noises whenever I open it. Simply unacceptable! And I weep for the next time I have to reach into my bag of holding…
So, caked with dried inner-planar goop, without a penny to my name, I decided to head for the Outer Planes. I hitched onto a freight train with some hobo goblins. From there my spring break took a turn for the festive. These lovable rapscallions showed me how to travel in style, playing homemade instruments and drinking jugs of pilfered elven wine. And oh, the shenanigans we got into! What happens in Arborea, they say, stays in Arborea… They keep odd hours, though, and even an ageless, wispy demi-lich like me needs his beauty sleep. So I was super-glad to finally bid them a fond farewell, and rest in my own crypt for a change. Still, it’s always nice to make friends on vacation.
Speaking of friends, you’ll find out who yours really are this Saturday, April 5, when Gamescape North takes you back to the burning sands of Athas for bone-crunching gladiatorial matchups with your Pit Pals!:
In the shade of the slave pens it was cool, at least compared to the relentless inferno just outside. Still, everywhere was the stink of sweat and fear, and the sounds of labored breathing from the doomed gladiators. Most had their heads down, conserving energy and moisture. Here and there the sobs and mumbles of prayers to forgotten gods of distant lands. The only deity in this land was the sorcerer-king, and the slave-warriors gathered in the pens knew better than to call upon him for aid.
The hardened warriors, those who’d survived one or more of these bloodsports, wasted no time with tears or wishes. The scattered veterans calmly checked the straps of their bone and leather armor, sharpened obsidian blades, and massaged old wounds. In one corner, a wild mage crouched, giggling to himself and drawing arcane circles in the dust.
“He’s crazed, I tell you,” the dwarven battlerager said, with a contemptuous gesture to the mage, whose brightly-colored rags were now muted by the ashen soil he frolicked in. “It’s all his fault we ended up on this backward world anyway. He just had to pick up that stinking crystal, didn’t he? And now we’re supposed to fight each other for some ugly half-dragon tyrant who-”
“Ssshhhh! He’ll hear you,” hissed a terrified-looking halfling slinger, albeit one clearly tougher than any the battlerager had encountered on his home world. “Death in the arena is the kindest fate you’ll get from the All-Dragon of Tyr. There are much worse fates than blood and dust.”
The battlerager spat into the dust in contempt, drawing gasps from several gladiators. One desicated -looking human farmer dove with surprising quickness to lap up the wasted moisture before the desert heat could reclaim it.
“Blood and dust may be my fate, but that doesn’t mean it has to happen just yet. Tell me, Halfling, how does one win one of these contests?”
The Halfling gaped at the sturdy-looking dwarf for a moment and then thought. The grizzled warriors all around were listening in closely, eyes wide.
“Well, at the end of the combat, the free citizens among the spectators cast a vote. Pampered weaklings, the lot of them. Each one votes for their favorite team. Usually they vote for the team whose pit is nearest their seats.”
“I see. And how far away are these spectators?”
The halfling’s eyes narrowed.
“There’s a 15-foot wall of obsidian spikes all around the arena between us and them. This place was once an Imperial quarry. It’s so sharp, it cuts right through leather armor, even fancy armor like yours, outworlder.”
“What would happen, I wonder,” the dwarf mused, “if there were nobody to vote for the opposing team?” Whispering and mumbling among the gladiators grew to sound at least to the dwarf’s ears, like a rising tide. To the natives of this world, who had never seen more than a barrel of water at a time, it sounded like an approaching silt storm.
Outside, the distant roar of the crowd had become hoarse, frenzied. The sorcerer king’s entourage had arrived. The games would begin any moment.
“I’m not afraid of bleeding a little, Halfling,” the dwarf said with a devious grin, showing a couple of toothless gaps. The slinger’s eyes widened in understanding.
“If-if you mean to do this thing,” he said slowly,” you’ll want to aim for the far corner. There’s a small ledge there about 10 feet up. If we survive the climb up there, we’ll have a shot at the crowd before the sorcerer-king turns us to ash.”
“We?” The dwarf chuckled. “I thought you were afraid of fates worse than death.”
The Halfling shrugged, pulling down a bone faceplate over his sunburnt cheeks. “I guess I’m just a performer at heart.”
Special Rules:
This Saturday, it’s a special tag-team gladiator match. Each player will build a 200-point team, but only two members of that team may be on the field outside of the starting area at any time! When a team member dies, it is replaced the following turn with a different team member. Commander effects will still apply if creatures on the field are under command of creatures in the starting area. Special items on the field will allow you to “tag out” injured players, heal wounds, cast spells and psionics, and all kinds of craziness! Each team will have 5 fans worth no more than 10 points each. Victorypoints can be scored by eliminating your opponents’ fans.
The blood of heroes begins to fly at 1pm. Get there early to sign up, build warbands, shop till you drop, and discuss the upcoming release of Dungeons & Dragons Miniatures 4th Edition! I’ll be there at noon, drinking coffee and drawing sigils in the sand…
And this is the final paper in my Anthro Seminar class, and it's all about cyborgs and stuff. Please, find its many flaws and expose them to the world.
Does Pinnochio Dream of Wooden Sheep? Technology and the Changing Human Form
Introduction
We are all, with infinite but tiny variations, more or less the same. The human body's range of attributes and abilities has remained constant in the last 10,000 years. The differences that exist between human populations (with statistically insignificant phenotypic differences), even isolated populations, are learned adaptations to environmental conditions. In evolutionary terms, we are nowhere near any semblance of speciation (Leakey 1982; 241).
But this may be changing. Homo sapiens sapiens is remarkable for its prolific development of devices to extend and amplify its physical and mental functions, and for its degree of reliance on those devices (Warwick 2004; 4). The spear, the automobile, and the corporation spring forth from the human mind, augmenting human power and altering the external world, creating, in essence, new environments and unleashing unseen consequences. Each new labor-saving device also comes with a free Pandora's Box, whose demons, more often than not, craftily beg a technological solution (Postman 1992; 72). Technology, then, could be said to be evolving in our stead. At the very least, its rate of change, now a dizzying inward spiral, far outstrips our own.
In our species' relatively short tenure on Earth, we have transformed the planet's surface with human technologies, making our presence felt in every habitable corner of the globe (Leakey 1982; 7-8). The utter dependence of most humans on the technological fruits of modernity (and on the feedback loop of technological change itself) makes the structural homogeneity of the species an important, and often hidden, assumption. Human technologies, as extensions of our particular physical and mental capabilities, are uniquely suited to serve our interests. We certainly would not expect a planet populated by intelligent snails to have evolved technology that we could use, nor would we expect visiting extraterrestrial snails to be able to use a telephone or wear gloves.
While it may seem flippant to bring up giant snails, the point is simply that the human body is a specific design arising out of particular evolutionary pressures (Leakey 1982; 35). If the human body were to change, old technologies would have to adapt to the human body's new form (Stelac, 1991). Thousands of years of accumulated knowledge would become obsolete. So it is with some measure of relief that designers of gloves, comfortable recliners and government build upon old designs, confident that the slow, snail-like pace of evolution keeps the human design stable.
But what if technology changes the human body itself in form and in function? What if human inventions begin, not to augment human abilities, but replace them? What if the next phase of human evolution occurs, not over millennia, in random mitochondrial DNA sequences but in intentional sequences of binary code, and in the space of a generation? What would – or rather, what could the human body look like? What would be the consequences, on society, the self, and the planet? And what if it is already taking place?
I intend to show that technological change is part of the human biological imperative, a collection of instincts I refer to as the tech impulse. We are hard-wired to adapt to new environments; each new technology creates a new environment which must be adapted to, and an ideology which treats the new technology as part of the human body. I will illustrate the far-reaching (and usually unforeseen) effects of some well-known technologies upon human behavior and thought. Keeping these examples in mind, I will explore emerging developments in prosthetics and other fields, with some of the potential consequences for the human body and the institutions based on its design.
The Technological Creature
The first technology, which sets us distinctly apart from other members of the animal kingdom, is our capability for language. The externalization of thought into symbols (primarily sounds) was the first technological revolution, and set the stage for every subsequent technological extension. Linguists, following Noam Chomsky's lead, have concluded that the human brain has evolved an innate capacity for language and grammar (Deacon 1997:103-104). That, combined with a highly developed social instinct (Leakey 1982:51-52), forms the biological foundation of all cultural endeavors. Essentially, the ability to communicate with other humans, along with the desire to do so, was the flint and steel of cultural development.
Other social animals have recognizable calls, of course, but they are instinctual and fixed. Birds and even other apes have a fixed repository of sounds whose meanings ("danger", "food", etc.) are known from birth. Human language, by contrast, is a kind of "open call" system; there are innate tendencies toward certain grammatical patterns, but the only limits on the content of that speech are the physical capabilities of the human voice, and the human imagination. Our biological ability to adapt individually to new situations and share those adaptations, illustrated by the continual mutation of language, is our primary evolutionary advantage, and the reason that a tropical ape with no claws, fangs or fur now thrives in nearly every ecosystem on the planet. But language not only externalizes thought, it translates thought into, primarily, sound. This aural dimension of language intensifies the roles of the human voice and ear in human interaction. The particular nature of oral/aural communication lends itself to value group activity and cooperation (Postman 1992; 17), essentially making language an amplification of the social instinct.
Technological Revolutions – shaping human behavior
To gain an understanding of how technologies reshape humans' interactions with the world, it is perhaps helpful to examine a few technologies in use around the world. Indeed, the use of technologies account for how humans got around the world in the first place. So it is only fitting that a discussion of human achievements begins with Prometheus' original gift to mankind.
The mastery of fire by early humans was a gigantic step. Fire was useful for a variety of purposes, expanding the ways in which humans could interact with their environment, most notably by expanding the human diet. The heat it provided was an invaluable augmentation of the digestive system, softening certain tough foods to make them more edible and helping to preserve meat (Goudsblom, 1994; 14, 35). Some archaeological evidence suggests that in many cases fire and smoke were useful for acquiring food as well; one cooperative hunting tactic involved lighting a fire, thus driving prey into nearby bogs or off cliffs (Goudsblom 1994; 27).
In addition, fire's heat helped humans survive weather that would otherwise be uncomfortable or life-threatening, and discouraged would-be predators from approaching too closely. The life-preserving qualities of fire (as well as the potential for havoc) encouraged social organization, communication, and self-control (Goudsblom 1994; 18), and the light and heat of a nighttime campfire provided "a unique social focus" (Leakey 1982; 122) that reinforced group identity.
In any case, several thousand generations of fire dependence have made us pyrophytes, at least in a metaphorical sense (Goudsblom 1994; 194). It is difficult to conceive of a human society that does not make use, and extensive use, of fire.
Still, humans evolved as an equatorial creature, suited to specific climatic conditions of the African savanna. Fire or no, human habitat was limited to regions with appropriately warm conditions to sustain life without fur or feathers. Genetic studies of lice indicate that approximately 50,000 years ago, humans hit upon the ingenious notion of wearing other creatures' skins for warmth (Travis). This innovation allowed a massive expansion of the habitat range of humans (as well as that of lice, who subsequently divided into two species) by creating "micro-environments suitable to the survival of a tropical creature under widely varying conditions." (McNeill 1976; 24). Housing applies the same concept of heat control, but on a collective scale. Both technologies, by conserving the body's heat, free up energy for intensified social activity (McLuhan 1964; 126). They are so deeply woven into the collective fabric that those who lack (or eschew) either clothing or housing find themselves socially incomplete; ineligible to participate in many social activities, not to mention the targets of moral outrage.
If one is naked in a 7-11 without shoes and shirt, what term describes the state of a pedestrian on the freeway? The automobile is another covering of the human body which substitutes feet for wheels, and places the soft human core in a climate-controlled steel cocoon while it races at speeds faster than any living creature, extending the human habitat to any place with roads. It has become such a fixture of modernity that it is arguably the dominant life form; the amount of space devoted solely for the use of automobiles long ago outpaced that reserved for automotively naked humans, and continues to erode the subhuman-seeming pedestrian as the focal point of urban areas (Horvath, 1974). In China, increasing numbers of vehicle owners have led to restrictions on pedestrians and bicyclists, who apparently can no longer compete in a paved ecosystem designed for motorized vehicles (Dahl, 2005). This corresponds with the car's introductory decades in the United States, where the "devil wagon" literally frightened muscle-powered (horse, bicycle and foot) mobility off the thoroughfares while toppling a social fabric built on the assumption of horse-and-buggy transport (Kline and Pinch, 1996). The fact that an estimated 1.3 billion automobiles will clog the world's roadways by 2020 is grim tidings, accelerating not only urban air pollution (already at critically toxic levels in developing nations) (Davis 2006; 132-133), but also suburban sprawl, the epidemic of traffic deaths, and geopolitical instability for both oil-rich and oil-dependent regions (Dahl, 2005). In other words, humans are reshaping their own environment to make it more hospitable for automobiles, even though that new environment is toxic to humans. Perhaps, as Samuel Butler intimated in his 1872 social satire Erewhon, humans are merely the sexual organs of technology (McLuhan 1964; 116).
Part of the reason for this seemingly unstoppable march – or rather, drive – toward automotive catastrophe can be attributed to the American export of consumer culture, which places the car as the most important extension of individual identity, "without which we feel uncertain, unclad, and incomplete in the urban compound"(McLuhan 1964; 217). McLuhan also points out that for the American teen, getting a driver's license has long been a more vital rite of adulthood than voting. Sleeping industrial giants like China and India are waking up to a clamoring consumer class, who want their own personal carapace (Dahl, 2005) so that they may become as fully human as any American teenager.
Humanity: technology's prosthetic?
The modern world, as Neil Postman has noted endlessly, is notable for its utter submission to the cycle of technological "progress", regardless of whether that change actually improves human life (1992; 60). The immediate benefits of a new technology may blind us to the social consequences of adopting it, at the expense of older ways of being (Malinowki 1964; 41). Those social consequences create new problems, problems which might easily be solved by simply getting rid of a technology. But incorporating a new technology into a society is vastly easier than getting rid of it, regardless of the social ills it may produce (Harvey 2005; 68-69). Instead, the solution usually proposed is a new technology, one with its own benefits and dangers. And so the cycle gradually gains speed, as innovation extends and accelerates human abilities, rendering meaningless even our conceptions of time, space, and selfhood. This pattern of change and unseen hazards should make us more wary of new gadgets, not less. But the entrenched structure of global capitalism, a technology that itself favors accelerated technological development would be difficult to halt or slow down, as long as a globally connected transportation and communication network exists (Bakan 2004; 21-22).
Prosthetics, the technology which restores a human function with an artificial device, has long been a rather crude back alley of medicine. Archaeologists recently discovered a wooden big toe that may have restored a normal gait to an Egyptian amputee as early as 1000 B.C(Dell'Amore), and the Etruscans produced the first-known false teeth, though some suggest they may have been for decorative, rather than dietary purposes (Becker 1999). Still, social beings that we are, replacing such an important part of the body with an artificial proxy, even a less functional one, implies that a sense of bodily wholeness is important enough socially to use such devices to mimic wholeness through a kind of cybernetic fiction (O'Connor 1997).
The limitations of technology kept prosthetics simple and generally single purpose until recently. War, which provides humanity with a steady supply of amputees, was a catalyst for developments in prosthetics (especially when 20th century anesthetics and antibiotics increased survival rates), although the rise of industrial production helped swell the ranks of the disfigured (O'Connor 1997). A stout stick could provide a crude leg substitute, and a hook could replace a missing hand for simple grasping. But the remaining stump of the former whole body part was transformed; its new purpose was to facilitate the use of its replacement, which often required extensive retraining of the limb. In other words, the biological was put to use serving the mechanical (O'Connor 1997).
Wheelchairs replace the functions of the legs, sacrificing maneuverability for arm-powered (or electric) speed and some measure of mobility (Kamanetz 1972). While disabled people have long been stigmatized as somehow less than human when in the company of walking humans (Cahill and Egglston 1995), the wheelchair-bound population of the U.S., perhaps not quite so out of place in an automobile-bound society, has successfully organized politically since the 1960s, and many public and commercial spaces reserved for human traffic must now accommodate wheeled cyborgs, dependent on paved, continuous surfaces, as a matter of civil rights (Harvard Law Review 2003). They are human, after all.
As technology advances, prosthetic devises are being perfected which are functionally equal the performance of their biological predecessors. Cochlear implants utilize digital processor technology to restore hearing to the completely deaf, in some cases even to those born without hearing. Some have argued, however, that for pre-lingually deaf children (children who are born deaf or deafened before they acquire normal oral skills), the introduction of a cochlear implant, and thus a sudden disruption of sensory ratios, may cause psychological harm that outweighs the lack of hearing (Crouch 1997).
In the realm of athletics, some amputees, armed (or legged) with specialized prosthetics made of space-age materials are equaling or surpassing their "whole" counterparts. Warren McDonald, a mountain climber whose legs were crushed up to mid-thigh by a falling boulder, had tiny carbon-fiber legs constructed for him, specifically made for climbing (Powers 2006). Standing on those legs, which are equipped with a variety of cleats and spikes for climbing in ice and rock, McDonald stands at a height of 4'4", though he is the first amputee to climb both Mount Kilimanjaro and El Capitan, notoriously difficult peaks to scale for anyone. Clearly, with specialist legs, McDonald is not disabled as a mountain climber, and as a "disabled climber", he ranks among the most accomplished (Powers 2006). As a runner, perhaps, he might be disabled, but as a hyper-specialist cyborg he is exceeding human norms.
Another, more controversial cyborg achiever is Oscar Pistorius, the South African sprinter whose legs were amputated at 11 months of age. Pistorius had springy prosthetic legs specifically made for running (he wears different legs for walking around), and has been handily breaking records for disabled sprinters at the Paralympics, taking a gold medal at the 2004 Paralympics. His attempts to participate in the 2008 Olympics in Beijing have been rebuffed so far, because the Italian body that governs track and field events, the I.A.A.F., has ruled that his legs give him an unfair advantage. The New York Times noted that Pistorius' case was stirring up debate about transhumanism in the worlds of medicine and sports, where strong economic pressures work in the favor of human improvement technologies:
"A sobering question was posed recently on the Web site of the Connecticut-based Institute for Ethics and Emerging Technologies. 'Given the arms race nature of competition,' will technological advantages cause 'athletes to do something as seemingly radical as having their healthy natural limbs replaced by artificial ones?' wrote George Dvorsky, a member of the institute's board of directors. 'Is it self-mutilation when you're getting a better limb?'"
In our rush to progress through technological wonders, we may have built a world for which the human body is no longer an appropriate form (Stelarc 1991). Roboticist and artist Stelarc explicitly called for an updated human form in the opening words of his posthumanist manifesto, Prosthetics, Robotics and Remote Existence: Postevolutionary Strategies:
"It is time to question whether a bipedal, breathing body with binocular vision and a 1,400-cc brain is an adequate biological form. It cannot cope with the quantity, complexity and quality of information it has accumulated. It is intimidated by the precision, speed and power of technology, and it is biologically ill-equipped to cope with its new extraterrestrial environment."
Luckily (or ominously, depending on one's position), new developments in prosthetics, genetics, and information technology are for the first time beginning to change the form and function of the human body, rather than simply adding a layer of technology. We are approaching a world in which we may choose our shape, and decide exactly what senses we want, thus choosing the kind of world we wish to interact with and how. In fact, people like Stelarc are actively working to strip the biological body of any more significance than a blank canvas:
"It is no longer meaningful to see the body as a site for the psyche or the social but rather as a structure to be monitored and modified. The body not as a subject but as an object- NOT AS AN OBJECT OF DESIRE BUT AS AN OBJECT FOR DESIGNING."
The potential ramifications of this are nothing short of revolutionary, when one considers, as Richard Leakey does, how humans construct the world from sensory information:
"The ability to act intelligently in the real world depends totally on the perception of that world. Yet the picture of the outside world you carry in your head is totally artificial. It is created by the mechanics of your brain, the information-collecting systems: eyes, ears, fingers, skin, nose - and memory (1982:171)."
Obviously, if we alter those information-gathering systems, we alter the artificial vision of the world we each accept as reality. But societies are bound together by, if nothing else, our common illusions. What happens when evolution stops and individuals, no longer bound by flesh, begin modifying themselves with custom parts to excel in their daily tasks? If Pistorius and McDonald can augment themselves for specialist success, why shouldn't a stock broker have a chip in his head with that instantly feeds him the latest prices?
Cybernetics professor Kevin Warwick, of the UK's University of Reading, believes this kind of intentional augmentation is not only inevitable but vital to human survival. He has garnered no small amount of notoriety for a 1998 experiment with chip implants linking him to the central computer in his laboratory, which, sensing his presence, would open automatic doors and even greet him when he approached. Currently he is experimenting with another chip implant which records information from the nervous system; various emotional states, even physical pain, as electrical impulses. These impulses are then transmitted via the Internet to a similar chip implanted in Warwick's wife, thus in theory, feeding her nervous system information without communication in a kind of technotelepathy (Vogel 2002).
One of his explicit goals is to bypass the oldest technology, the spoken word, which he considers slow, prone to errors of interpretation, and ultimately obsolete in the Information Age. In addition, Warwick envisions using technology to expand the sensory range of humans, allowing us to see into the infrared and ultraviolet spectra. Considering the difficult adjustment experiences of cochlear implant recipients for whom hearing is not restored but suddenly added (Crouch), one should give careful thought to altering or adding new sensory input. How difficult would it be to function with a sudden, involuntary increase in information to the central nervous system?
Warwick believes the rapid increase in computer intelligence, which he estimates will overtake human intelligence in the next two decades, is a potential danger to human survival (Warwick 2004; x). The solution, of course, is for the human species to merge with technology.
Genetic changes offer short term, slight modifications. However the step to Cyborgs offers humans a natural, technological upgrade in the technological world we have instigated. Yes I feel it will be the next evolutionary step. Indeed we will need to do it if we are to compete with intelligent machines.
Other futurists wax philosophical about extending the human lifespan, which becomes more possible as human parts are discarded for replaceable machine parts (Stelarc 1991). It has been posited that mankind will need to go through a cyborg metamorphosis to withstand the rigors of extraterrestrial travel, with low gravity, decades-long commute times and entropic cold. The result will by all accounts be something very different from what we regard today as human, including the possibility of transferring one's consciousness to an immortal digital format that can be downloaded to any appropriate hardware. "The body must burst from its biological, cultural and planetary containment," Stelarc says, adding somewhat dramatically that "the first signs of an alien intelligence may well come from this planet."(1991)
Last century's considerable increase in lifespan due to improved medicine and pest control had profound effects, breaking down old systems of marriage and kinship in industrialized societies (Pinsof 2002) and leading to a population boom around the world (McNeill 1976; 248) that is now reaching troubling proportions. The abolition or massive postponement of death could have implications at least as profound, although in theory population could be controlled if the biological imperative to reproduce were also tampered with. But if one is going to redesign the wheel, or the human body, small adjustments may not be enough. The tech impulse that has now seemingly turned its attention to improving the human body will only accelerate, and the whole system will need to be redesigned, until being a 'mere' biological human will seem as foolish and worthy of contempt as a pedestrian on the freeway. And if the human body becomes increasingly replaceable and obsolete, and lifespan stretches on limited only by access to parts, what will be the effect on society's vision of mortality, gender, religion and ethics? More to the point, when cyborg humans are untethered by current ranges of form, function, or ability, and may choose their form individually as they now choose cars or clothes, will there be such a thing as 'society'?
Conclusion: The Posthuman world
Human beings stand on the cusp of a potential revolution more profound than any since the slow emergence of language that set us apart from other creatures. Every part of the human life cycle stands to be affected. In a world where humans are spawned in factories and reshaped by bionic hardware inside and out, where digital disembodiment is just another way of being, what happens to all the ways of being that stem from the age-old condition of being trapped within the body? When reproduction is all artificial, does gender become obsolete? As du Preez notes, "If women and bodies have been perceived (and remain to be perceived) as inseparable categories, what is at stake for women specifically when bodies are dissolving into information networks?"(2002)What happens to the idea of observation or consensus, when everyone is capable of sensing different parts of the spectrum, or able to 'feel' other people's thoughts without interacting physically?
Still, the whole jumble of ideas seems faraway, like a ludicrous science fiction novel. But the rate of technological saturation, especially for useful technologies, is somewhat disconcerting. Consider that cellular phones, first invented in 1973, have exploded into ubiquity in the last 15 years. The number of cell phones worldwide recently topped two billion, roughly one third of the human population (Farley 2007), revolutionizing warfare, interpersonal communications and our concepts of privacy.
Clearly, technologies that seem farfetched now could be on shelves (or within your body) without warning. Science fiction writers like Warren Ellis, William Gibson, and the late Philip K. Dick imagine the environments that technologies create, and their social and ethical implications. Meanwhile, scientists like Kevin Warwick bring these technologies to fruition, brushing aside possible dangers with deterministic sloganeering about the inevitable march of progress.
Not everyone will have access to enhancement technologies. It would hardly be in the interests of power for otherwise powerless people to suddenly be equal with physically or mentally enhanced elites. Most likely, technologies that make human functions obsolete will remain too expensive for any but the wealthy and powerful, thus helping solidify class distinctions. Meanwhile, the vary fact of enhancement may socially begin to create different kinds of class distinctions. How will the digitally disembodied stock broker interact with the cloned super-soldier on a social level? And what of the inevitable 'bio-Luddites' who refuse any enhancements or increased lifespan? Will they be respected as pure, or looked down upon as anachronistic threats to the new order?
Each new technological device comes with a mixed bag of benefits and drawbacks, but they all bring change. A change to the body itself would likely bring with it social upheaval unlike any seen previously, as old social institutions, based on the old body, struggle to survive in a world that no longer needs them. We must carefully consider what parts of us we wish to keep, for we may soon be offered replacement parts.
Here's the paper I wrote for my "Racism: Cross-Cultural Analysis" class. Any comments or criticism would be welcome.
Black, white, & read all over: race and literacy in America
Introduction
For centuries, Western Europe and its Diaspora have extolled the virtues of "civilization", the set of attitudes, behaviors, and institutions that has propelled it to dominate much of the planet. This sustained dominance contributed to the mistaken belief that there was something inherently "civilized" about whiteness, and that nonwhites were somehow less intelligent or otherwise inferior. This paper will examine certain attitudes and behaviors typically attributed to "racial" communities, not as innate characteristics, but as the cumulative effects of communications technologies on oral and literate societies, respectively. What is "whiteness", and under what conditions does it occur? Is American blackness independent of whiteness, or are the two dialectically related?
I chose this topic because I am fascinated with the ways that technologies shape human behaviors and attitudes. In particular, the development of writing technologies has had an enormous impact on those societies which adopted them, with reverberations that have touched every populated area on the planet. I think many of the characteristics traditionally thought of as "white" or "civilized" are actually the characteristics of societies whose primary medium has been the written word. That these characteristics were racialized in antebellum America (and in Western Europe as well) only served to blur the attempt by whites to maintain power by drawing distinctions between themselves and other peoples. Much of the schism between "blackness" and "whiteness" in America can, I think, be attributed to a tradition of literary chauvinism by white elites which devalued (and sought to eliminate) the worldviews of oral cultures like those of the Native Americans and the African Diaspora.
The oral tradition in a literate world
America is the most hyper-literate nation in world history. Though the hegemony of the printed word has been under increasing assault by electric technologies for just over 150 years now (McLuhan 1964; 252), the first century of the United States was marked by a degree of literacy never before seen, at least among the adult white males who made up its official body politic (Postman 1992; 44).
In New England, adult male literacy was virtually universal by 1790, the highest proportion in the nation (Schudson 1978; 38). Schudson notes that this has been attributed to the supposed Protestant emphasis on education, but in any event literacy was on the rise across early America. Between 1800 and 1840, white literacy in the South went from approximately half to 81 percent (Richman 1994; 38). These conditions paved the way for an explosion in the so-called "penny press" newspapers, which were cheap, sensationalistic, and enormously popular, mostly in urban areas, where much of America's growth was taking place. By 1835 the three largest penny papers in New York City alone had a combined daily circulation of 44, 000 (Schudson 1978; 18).
Meanwhile, in the Antebellum South, where one third of the population was held in bondage, it was forbidden by law to teach slaves to read (Roucek). Why? Clearly, there is a connection between America's institutionalized racism and the enforced illiteracy of African-American slaves. Certainly there are practical reasons why a plantation owner might not want his slaves reading or writing. Literacy is a powerful tool for transmitting and storing information (Diamond 1999; 215), one which could easily upset the power dynamic of a slave plantation. The gap between literate whites and large numbers of illiterate blacks remained a problematic power dynamic long past the Civil War, and was used by elites to keep blacks from voting in the segregated South; similarly, a literacy rate of less than 10 percent of black South Africans persisted well into the 1960s, and was undoubtedly a factor in that country's parallel apartheid politics (Roucek). But while the raw utility of the written word is certainly a factor in institutionalized racism, and in attaining political power, there is a deeper connection, one that lies between the hidden effects of literacy and white conceptions of themselves.
The written word has existed in many forms in the last 6,000 years, but the full history of written communications media is beyond the scope of this paper. Phonetic literacy, which originated around 3,500 years ago as a vowel-free abjad in the Middle East (Goody and Watt 1963:316), made it possible to translate semantically meaningless symbols into semantically meaningless sounds (McLuhan 1964; 83). This extreme level of abstraction constitutes a separation between thought and action, one whose ideological implications have been attributed to the rise of many of the hallmarks of 'civilization', including individualism, scientific objectivity, linear thought (Postman 1992; 51, 124) and, according to Benedict Anderson, the abstract sense of community that characterizes modern nationalism (Wilson). It also amplifies the role of vision, pushing other senses aside with a strong visual bias (McLuhan 1964; 201). With the rise of the printing press in Western Europe, mass literacy became possible, spreading both information and the implied effects of the medium, and transforming European communities from oral societies to the literate ones that conquered the planet (Diamond 1999; 241).
Since white people, wherever they may be, are descended from these Europeans, we may compare the effects of literacy to the racial traits they later attributed to their success. What traits are characteristically thought of as "white"? David Shipler describes a list of stereotypes (both negative and positive) of white Americans: "assertive, cold, dishonest, evil, greedy, lacking athleticism, lacking rhythm…" Many of these, upon closer examination, correspond roughly with the common traits of highly literate populations. "Assertive" could easily be described as an inflated sense of individualism. "Cold" is a commonly-used term for emotional detachment, another literate trait. "Greed", while not an exclusive trait of Caucasians, is perhaps well-suited to the mindset that produced Anderson's "print-capitalism" (Wilson), which replaces all intrinsic values with detached cost-benefit analysis. Assertions that whites lack rhythm and athleticism correspond with the "aloof and dissociated" split between mind and body (McLuhan 1964; 4). But the racial identity of white American contained another element, one which needed African-Americans to be complete: "…the very conception of whiteness entails the exclusion of blackness (Mullen)." The "ocular centrism" of the literate West, which, as Mark Smith notes, assigns lower status to the other senses, meant that the holistic sensory involvement of nonliterate societies was denigrated as 'primitive' or 'inferior' (Smith 2006; 3). Zora Neale Hurston described the black approach to language in 1934, barely two generations removed from 350 years of enforced illiteracy in a hyper-literate nation, even as an explosion of literate African Americans like Hurston were sparking the Harlem Renaissance:
"The primitive man exchanges descriptive words. His terms are all close-fitting. Frequently the Negro, even with the detached words in his vocabulary – not evolved in him but planted on his tongue by contact – must add action to it to make it do. So we have "chop-axe", "sitting-chair", "cook-pot" and the like because the speaker has in his mind the picture of the object in use. Action. Everything illustrated. So we can say that the white man thinks in a written language and the Negro thinks in hieroglyphics…"His very words are action words…Every phase of Negro life is highly dramatized."
Hurston is describing the mindset of oral cultures, for whom communication is a holistic experience involving all the senses. Objects in speech are associated with action and real-life function, a far cry from the literate man, for whom the disconnect between thought and action leaves him cold indeed. Compare Hurston's comments with those of McLuhan, discussing "tribal man":
"Civilization is built on literacy because literacy is a uniform processing of a culture by a visual sense extended in space and time by the alphabet. In tribal cultures, experience is arranged by an auditory sense-life that represses visual values. The auditory sense, unlike the cool and neutral eye, is hyper-esthetic and delicate and all-inclusive. Oral cultures act and react at the same time. Phonetic culture endows men with the means of repressing their feelings and emotions when engaged in action. To act without reacting, without involvement, is the peculiar advantage of western literary man." (McLuhan 1964; 86).
African slaves, products of millennia of oral tradition, were brought directly to America's literate maelstrom. Prohibited from learning the 'standard' English through print, and systematically deprived of familial and tribal ties, they developed pidgin dialects of Black English. These were often held up by white elites as proof of black mental inferiority, and literature written by white writers in regional black dialects (often as a mocking sort of minstrel show in print) became wildly popular in the late 19th century. The best-known example may be Huckleberry Finn (1884), but suffice it to say it was a way of identifying a character racially by their oral speech patterns (Strausbaugh 2006; 154-155).
In this way the negative qualities of blackness were made 'real' by being put into print. They were made 'objective' and solidified in a way that allowed whites to poke fun at African Americans' speech without ever hearing one speak. By writing out an oral dialect, translating it to the disconnected visual biases of print, one exposed the variation from standard 'correct' English spoken by literate elites. It also divorced the dialect from the physical qualities and sonic character and cadence of black speech. I could read Martin Luther King's "I Have a Dream" speech aloud myself or print it in a newspaper, for example, but it would not have the resonance and emotional impact of one of the 20th century's finest orators, combining the accessibility of standard English with the rich cadences of an unmistakably black dialect.
In any event, the decontextualized tribal characteristics of African slaves were amplified in the eyes of white elites. All those 'primitive' qualities devalued by the literate world were attributed to the slave population as whites grew increasingly desperate to appear distinct from their slaves, who were becoming lighter-skinned with each passing year (Smith 2006; 7). Mark Smith, in How Race is Made: Race, Slavery, Segregation and the Senses
"Blacks are lazy, smelly, wild dressers, oversexed, have low morals and oversized genitalia…" (Mullen). Whether or not these traits applied to any particular individual was irrelevant. The qualities of literate civilization were the 'objective' standard, and therefore their absence would be the epitome of negative qualities. Laziness is generally assumed to signify a lack of self-discipline, contrasting with the stereotype of the hard-working Puritan uber-literate culture of colonial America. "Smelly" is of course a reference to the nose, perhaps the most maligned sense in the literate world (Smith 2006; 12). In the hyper-visual world of literacy, olfactory input is to be eliminated if possible. "Wild dressers", "oversexed", and "oversized genitalia" imply not only a shocking disregard for Victorian prudishness but also a tactile sensibility that is similarly taboo (Smith 2006; 24) in the literate world. The editors of Ebony magazine decried the elevation of black athletes over black intellectuals in the public eye, recognizing that the perceived physicality of African Americans fit into a dominant narrative that refuses to see them as capable of literary attributes reserved for whites (Ebony List). "Low morals" indicate a lack of rigid adherence to the literate codes of morality, which are, of course, written codes.
Conclusion
The concept of race is a powerful one in America, a myth more persistent than Santa Claus, Paul Bunyan, or the American Dream. If we are shaped by our conditions and the cultural milieu in which we are raised, then it is worth examining the technological conditions of our society. The tools we use to shape society also shape us, setting parameters of thought and behavior that are difficult to perceive without a broader perspective.
While I realize that racial politics are the product of far more complex factors than the somewhat fuzzy binary between literate and oral societies, how we transmit our ideas has an effect on the nature of those ideas, one whose ideological implications often go unnoticed in contemporary studies. Literacy remains a powerful tool in the arsenal of liberation. While it has typically been employed to serve the interests of power, it can just as easily be used to fight that same power.
Citations
Diamond, Jared. Guns Germs and Steel: The Fates of Human Societies
Goody, Jack and Watt, Ian.The Consequences of Literacy (in Literacy and Society) in Comparative Studies in Society and History, Vol. 5, No. 3. (Apr., 1963), pp. 304-345
Zombie Dan here once again with the latest news digest for the Gamescape D&D Minis community. First, a little shout out to our regular players: It's been a busy summer for many of us, and we're very pleased that you've taken a day out of each hectic month to help us build up Minis Game Day, considering that I'm not the most organized host sometimes, and I often - um, "experiment" with the rules. We've got a good thing going now, and as more people get involved, I promise to make the games weirder and more fun, stretching my fevered little brain (and your patience) to critical levels.
Last month's four-player theme brawl was "The Great Escape", a fun little prison scenario that ended up with more than a little roleplaying. Best matchup: The Marut facing down the Pit Fiend at the prison gates. Needless to say, the forces of good were able to quell the brief prison rebellion, and are working with the Pit Fiend's gang to design a cafeteria menu they can all agree upon.
On Saturday, Aug. 18, we're bringing out the big boys as we return to our series of games modeled on the great arcade games of the 80s. Dust off your giant monsters for a 500-point Epic metropolitan free-for-all: Rampage!
It's been years since the giant monsters last came to visit Halfling Acres, and thank your lucky stars. They're terrible houseguests; they eat cattle like popcorn, devour damsels and children for breakfast, crush buildings when they walk, and never change their socks. When they snore, the ground shakes and cracks open. Their fleas, roughly the size of wolves, are a buzzing vampire plague that terrorizes the barony and lays giant eggs that block our doorways. We halflings run a tight ship. Do you have any idea how much soap it takes to get muddy Black Dragon claw prints off your roof? Ecch. It spoils our appetites, if you must know.
We suspect the gnomes up in the hill for this latest disaster; it's just their kind of prank. We don't have proof, but somebody sent the monsters invitations to a wrestling match - in our town square! The winner, it is said, gets to eat our entire town. Does FEMA respond to this sort of disaster? Someone will have to pay for this. That is, if anyone is left...
Saturday, Aug. 18, bring your Epic minis for a no-holds-barred 500-point brawl. Four-figurine maximum per warband. Several buildings will have hit points, and when destroyed they will give your warband victory points (and occasionally, food)! The carnage starts at 1pm, but try to be there no later than 12:30 to sign up, trade minis, and size up the competition. See you there!
Gamescape North 1225 4th St San Rafael, CA 94901 (415) 457-8698
Need a new hobby? Are you sexually frustrated? Are you, by chance, living in a racially homogenous, aging post-industrial society with a critical shortage of both militaristic machismo and of females? Well, then, try "air sex":
I've tried this before, but I never thought to call it "performance art". But there's a lot you don't think of when the beer is free and your shoes are on fire.
Speaking of air art, I don't know what the judges were thinking last month when they passed over my boy Hot Lixx Hulahan for the SF air guitar crown.
Do you know who you're fucking with? Hulahan is the fucking Stallion, mang. He doesn't need your stinking title anyway. Air guitar champs bring their art to the people:
Um, for some reason this wants to be my blog today. I must have written it and not posted it back when the freeway melted... ______________________________________________________________________________________________
Spend a day with me, won't you? The view is wonderful, at least, from up in the Berkeley hills at Lawrence Livermore Lab.
Just one day. It won't take long.
Oh, and apparently the whole melted freeway thing in Oakland is part of a big conspiracy. These guys have what scoop there is to have. Nice of them to list the sites that are already parodying them.
I like this one on the left. It's a 9-11 truck stop eagle, lovingly remembering the beautiful times he had in rush hour traffic on that very freeway. The Weepin' Eagles. Now that's a patriotic-sounding sports team!
Even if it is a conspiracy. So what? It looked all melty and cool, it pissed people off, and may boost enthusiasm for public transit. Plus nobody got hurt, except for the driver, which is weird. How fast was he running to escape the 8600 gallons of exploding fuel?
Who cares, really? Then again, I don't have to use that part of the freeway much. Though the backup on I-80 West has expanded to Berkeley. But generally it's bike and BART for me.
We were pleasantly surprised by the, uh, positive reception we got at the Gilman reunion show of Bobby Joe Ebola and the Children MacNuggits last month. Thanks to all who came out.
Well, my first day as a D&D Miniatures Master was a riotous success. I picked up Shawn from BART and we headed to Gamescape in San Rafael. Darren runs the place; he's an old friend, a grown up weirdo who I could never peg as goth, Celtic history buff, or D&D geek, but has elements of all three. Great guy. Anyhow, only one player showed up, a 9-year-old with an impressive vocabulary and an even more impressive collection of D&D Minis. We played until his mom picked him up for soccer.
After a lunch break, Shawn and I decided to do something different. We would do an actual adventure scenario, instead of the hack and slash combats we've been doing. I mean, it's still hack and slash, but there was some semblance of a plot.
Before we could do that, though, Darren convinced us to play this new naval combat game, "Axis and Allies: The War at Sea". The name pretty much explains the premise. We played one round of it and I must say I was impressed. Smooth combat system, amazing looking figurines. Darren got us hooked through the bag, even gave us a starter set. The first one's always free...
Anyhow, after that we did our big vampire-hunter scenario. Shawn MM'ed this one and designed all the levels after Castlevania. It was pretty sweet, even though a ghast ate one of my bat familiars and one of my vampire hunters got turned into a zombie. So much for homework...
I haven't been posting much original thought here lately, and I'm not going to start today. This comes from Maccabee over on Daily Kos. Go there and give Maccabee some props. I might ad to it that the first inkling I had that Bush was a nut job was when he appointed a cattle industry rep to head the Department of the Interior, which is great for any cattle baron who wanted to graze the shit out of federal land. It just warmed my cockles. Spelling and grammar mistakes, by the way, are not mine:
How Bad Can it Get?
When Bush pulled out of the Kyoto accords, I thought it wouldn’t get much worse.
When reports emerged that the government’s claims that Al Quaeda and the 9/11 hijackers were in cahoots was a huge lie, I thought it couldn’t get much worse.
When the WMD lie was exposed, I thought it couldn’t get much worse.
When Bush ordered the invasion of Iraq before the inspections were done, I thought it couldn’t get much worse.
When Bush started dismantling Social Security, I thought it couldn’t get much worse.
When outright bigotry and gay witch hunting became White House policy, I thought it couldn't get much worse.
When pre-emptive war became US policy, I thought it couldn’t get much worse.
When Bush started bragging about attacking a country that did nothing to us and used focused grouped terms like Shock and Awe, I thought it couldn’t get much worse.
When actual journalists were replaced by self-loathing Bush loving Gay Republicans, I thought it couldn’t get much worse.
When Bush ordered that caskets coming back couldn’t be filmed, I thought it couldn’t get much worse.
When pictures of prisoners tortured at the hands of Americans came public, I was so ashamed, so ashamed and so angry at what the Republicans had brought this country to. I thought it couldn’t get much worse.
When we found out that the FBI and CIA had actually warned of the 9/11 attack and Bush ignored it, I thought it couldn’t get much worse.
When the US started spying on US citizens, I thought it couldn’t get much worse.
When it became known that the injuries and deaths around Jessica Lynch and a football player named Tillman were played as lies, I thought it couldn’t get much worse.
When millions of US taxpayer dollars were funding outright propaganda, I thought it couldn't get much worse.
When public domain records started disappearing without warning, I thought it couldn’t get much worse.
When competent governmental agency heads were replaced by inexperienced political operatives, I thought it couldn’t get much worse.
When Bush lied at every turn and wasn’t called on it by the press, I thought it couldn’t get much worse.
When $8 billion were not accounted for and no one cared, I thought it couldn’t get much worse.
When Bush’s drunken and AWOL youth was shielded from the public, I thought it couldn’t get much worse.
When "news" outlets could be owned and dictated to by GOP donors, I thought it couldn’t get much worse.
When Bush started cutting social programs, I thought it couldn’t get much worse.
When habeas corpus disappeared, I thought it couldn’t get much worse.
When it came to light that Republicans were scrubbing voters lists just because the voters were Black, I thought it couldn’t get much worse.
When the Army stopped reporting its awful accession rates, I thought it couldn’t get much worse.
A year after Katrina hit when most of the victims were still unaided because they were Democrats, I thought it couldn’t get much worse.
When it became obvious that the press in America is useless and even dangerous, I thought it couldn’t get much worse.
When the dollar became the number two currency in the world, I thought it couldn’t get much worse.
When millions of US jobs headed overseas at an alarming rate, I thought it couldn’t get much worse.
When the 2004 election was hacked and manipulated, I thought it couldn’t get much worse.
When we discovered that US attorneys were fired for prosecuting Republicans, I thought it couldn’t get much worse.
When a drunken Cheney shot a man in the face was protected by the administration, I thought it couldn’t get much worse.
When we learned that Cheney called the shots in an emergency, I thought it couldn’t get much worse.
When a torture enabler became the Attorney General, I thought it couldn’t get much worse.
When three foreign trade blocks were formed without us, I thought it couldn’t get much worse.
When I was screamed at in Mexico City for being an American, I thought it couldn’t get much worse.
When NASA budgets had been cut, I thought it couldn’t get much worse. When one in six Americans went without health insurance, I thought it couldn’t get much worse.
When the poverty rate in America grew by tens of millions, I thought it couldn’t get much worse.
When laws were being written by industry insiders, I thought it couldn’t get much worse.
When 40,000 deserters were hardly being reported by the press, I thought it couldn’t get much worse.
When education spending dropped to 1% of GDP, I thought it couldn’t get much worse.
When weaponry and warfare raised to 42% of the GDP, I thought it couldn’t get much worse.
When evolutionary scientists, and AIDS researchers and global warming experts were muzzled, I thought it couldn’t get much worse.
When a US secret agent was exposed to protect a lie, I thought it couldn’t get much worse.
When US students score 24th out of the top 30 industrialized nations and college is harder than ever to get into, I thought it couldn’t get much worse.
When my Mother had to start begging for her medicine, I thought it couldn’t get much worse.
All I can ask is this- how much worse can this get? I fear that the worst is yet to come. I fear that we will never climb out of this hole that the Republicans dug for us. My fear is that the Democrats in power are not much better than the corrupt republicans (is that redundant ?) theya re replacing.
I believe, as I have said before, that hen all the truth finally comes out, 2000- 2008 will be the Dark Ages of America, a Dark Age that will never probably see a renaissance.
Whew! Done with school. Until next month, anyway. I'm so sleepy right now. I was up until 5:30 a.m. trying to pull together my final essay for my Anthropology Theory class, which is a reworking of this essay from my religion class last spring. I went about 5 pages longer than I was supposed to this time, and I still had to abruptly cut short my analysis at the origins of Islam, and I didn't even start on Christianity. Ugh. Anyhow, here is the final result. Thanks to those of you who offered constructive critiques at the last minute. Forgive the clunky structure; that's what the assignment called for. As always, comments and criticism are welcome (This is also cross posted at MySpace):
Spiritual Technology and the Rise of Monotheism
Part I: Abstract
This paper explores the role of religion as it relates to media ecology, or the changes in perception and involvement initiated by technology. Specifically, it explores the emergence of monotheism as a reaction to writing systems, and the phonetic alphabet in particular. I've always been interested in how ancient peoples saw the world, and it made sense to trace the journey (I hesitate to call it a progression) to today's worldviews as a series of technological developments.
In this paper I make use of Malinowski's functionalist Theory of Needs, as well as McLuhan's ideas about media environments and William McNeill's patterns of equilibria (which reference disease vectors but apply equally well to social systems).
My stance is that religion arises out of a need to release social and psychic stress from the environment, and when new technologies disrupt environmental equilibrium, religion will reflect these new stresses. The linear, stratified pressures of the phonetic alphabet ushered in the concept of sterile monotheism, an infinite being paradoxically without form.
Space does not permit a full accounting of monotheism's rise, but I feel I have laid out a convincing argument, not of causality, but of a dialectical relationship between writing technologies and the development of concepts of God in the Middle East.
"Tell him that we have fucking reprogrammed reality. Tell him that language is a virus and that religion is an operating system and that prayers are just so much fucking spam. Tell him that or I'll fucking kill you."
-Neil Gaiman, American Gods
Spiritual Technology and the Rise of Monotheism
Part II: Introduction
Writing is the foundation of Western civilization. Indeed, the collection of institutions, attitudes and worldviews we think of as "civilized" are inseparable from the social and psychic changes our relationship with writing technologies have engendered. In nearly any context, "civilized" can be substituted for "literate", with particular preference towards phonetic literacy. It is telling that even Morgan, in a 19th century taxonomy of human societies, listed use of the phonetic alphabet as the only difference between barbarism and civilization (Morgan 2004:63).
As a medium for the externalization and storage of thoughts, the written word is very useful, of course, and has allowed the literate West to preserve and exchange knowledge in ways not possible for nonliterate societies. The most profound effects of writing, however, have little to do with what is written; rather, the sensory changes which the written word exerts on human fields of perception are the true legacy of the Word.
Richard Leakey explains the processes which human technologies augment and act upon:
"The ability to act intelligently in the real world depends totally on the perception of that world. Yet the picture of the outside world you carry in your head is totally artificial. It is created by the mechanics of your brain, the information-collecting systems: eyes, ears, fingers, skin, nose - and memory (1982:171)."
Each new technology is an extension of one or more human physical attributes or senses (Malinowski 1965:171). As a particular sense or faculty is amplified by technology, its information-gathering role is also magnified – in an environment which includes all previous technologies (McLuhan 1964:24). In effect this creates an entirely new environment, and human societies respond with new technologies in a kind of dialectical feedback loop.
"Any extension, whether of skin, hand or foot, affects the whole psychic and social network", McLuhan says (1964:19), altering ratios of sensory involvement with our surroundings.
Three thousand years of alphabet technology - a visual augmentation of the first technology, the spoken word (Leakey 1982:16, McLuhan 1964:83) - has deeply imbedded itself in our culture, giving the Western world a lopsided visual bias that must "see to believe".
"As an amplification and extension of the visual function," McLuhan declares, "the phonetic alphabet diminishes the role of the other senses of sound and touch in any literate culture (1964:87)."
Religion's role, meanwhile, is that of a reflection of the fears and hopes of both a society and its individual members. Joseph Campbell tells us that "dream is the personalized myth; myth the depersonalized dream (1972:19)." If that is so, the myths of a society will reflect the stresses of its particular technological amalgam.
Religion, then, is a spiritual technology, a pressure valve through which we individually and collectively release the stress created by our changing sense ratios. I intend to show that monotheism, where it arose in the ancient world, reflects cultural reactions to the stresses of writing technology, and in particular the phonetic alphabet, as it was gradually adopted by previously oral and pictorial societies.
In an attempt to tie together so many loose threads, I feel it may be most instructive to apply a functionalist perspective to Marshall McLuhan's concepts of media ecology. Malinowski's theory of needs overlaps McLuhan in key areas. Humanity's ability to respond to new environments is its greatest survival mechanism. Technology is both response and environment, and no cultural study is complete without an understanding of the dialectic between humans, their environment, and technological change.
I have drawn on a wide range of fields to support my argument, from history and economics to epidemiology and archaeology. In addition, I believe the myths of the faiths themselves are instructive in understanding the significance of writing's impact on the thought processes of the oral peoples of the Middle East. Certain passages in the Bible, for example, seem to identify the written word directly with the idea of divinity. While I intend to focus on the form rather than the content of writing, myth and metaphor can be helpful in revealing the message buried within the medium.
Part III: Theoretical Discussion & Literature Review
The first human technology, and arguably the one which sets us most distinctly apart from other primates, is our highly-evolved capability for language. The externalization of thought into symbols (primarily sounds) was the first technological revolution, and set the stage for every subsequent technological extension. Linguists, following Noam Chomsky's lead, have concluded that the human brain has evolved an innate capacity for language and grammar (Deacon 1997:103-104). That, combined with a highly developed social instinct (Leakey 1982:51-52), forms the biological foundation of all cultural endeavors. Essentially, the ability to communicate with each other, along with the desire to do so, was the flint and steel of cultural development.
Like any other life form, humans are biologically driven to extend their influence. We are able to extend the human form not only through genetic reproduction but through learned external media, to a degree unparalleled in the rest of the animal world. The wheel is an extension of the foot, the spear an extension of teeth, and so on. The second axiom in Malinowski's "theory of needs" appears to agree with this assessment:
"(E)very cultural achievement that implies the use of artifacts and symbolism is an instrumental enhancement of human anatomy and refers directly or indirectly to the satisfaction of a bodily need (1964:171)."
This "enhancement" of our faculties also numbs our sensory involvement with the environment, creating psychic and social stress as the human body is removed by degrees from direct experience (McLuhan 1964:98). The introduction of each new medium into a social system upsets the ecological or cultural equilibrium, not dissimilar to the introduction of a micro- or macroparasite into a host, and "tends to provoke compensatory changes throughout the systems so as to minimize overall upheaval (McNeill 1976:7)." Malinowski, too, notes the profound cultural changes that result from struggle for equilibrium:
Whether in the form of invention, or as an act of diffusion, a new technical device becomes incorporated into an already established system of behavior, and produces gradually a complete remolding of that institution (1964:41)."
So those technologies which provide a survival advantage to a society eventually become part of the cultural fabric, imbued with social and psychic significance. This constitutes a kind of symbiosis, one which preserves and propagates both the technology and its users. The adoption of agriculture, for example, fundamentally altered human interaction with the environment. The surplus of food from agriculture initiated an explosion in the numbers of agriculturalists, and an acceleration of technologies in an effort to cope with the lifestyle changes this wrought.
In humans, our survival instinct is complicated by contemplation of our own mortality. We watch our family members die, and as we grow up, we learn that we too, must grow old and die. Spirituality can be defined as an effort to dispel the stresses of the environment, of which inevitable death generally ranks high on the list. It is my view that spiritual technology comes out of a desire to communicate with, and thus curry favor with, the sources of environmental stresses.
"Prayer," said 17th century poet George Herbert, "is reverse thunder." What counts as "thunder", then, is the particular mix of environmental stressors, which include climatic, biological, and social factors that populate the daily sensorium of a particular society. Each new technology soon becomes part of this pantheon of factors, reacting in a dialectical fashion to its environment and creating new stresses of its own.
In this context, the community plays a vital role in prayer. The social instinct allows the individual to identify himself with the group, giving him a permanence he could never achieve alone (Campbell 1973:383). Group rituals reinforce this common identity, channeling the psychic stresses of the environment into an external force, one made in the image and likeness of the group. Campbell affirms the role of religion as a technology for collective stress release:
"The whole society becomes invisible to itself as an imperishable living unit. Generations of individuals pass, like anonymous cells from a living body; but the sustaining, timeless form remains. By an enlargement of vision to embrace this super-individual, each discovers himself enhanced, enriched, supported, and magnified (1973:383)."
Nonliterate societies tend to have a holistic, all-encompassing worldview (Schlain 1993:150-151) which lends itself to animist religions, in which every part of the external world contains a life force with which the individual can interact (and thus, influence). A fluid, nonlinear view of time implies a flexible pantheon of deities or powers which may be added or dropped as needed (Goody & Watt 1963:310-311). The act of writing, Goody and Watt say, creates a fixed sense of time and imbues the environment (and by extension, supernatural forces) with a solidified permanence:
"The pastness of the past, then, depends on a historical sensibility which can hardly begin to operate without permanent written records (1963:311)."
Writing is an extension of not only the spoken word but of memory. Thus it amplifies the significance of what is written as events worthy of social memory. All else can be forgotten. For literate cultures, the universe begins and ends with the Word.
Discussion
The first known writing systems appeared in the 4th millennium BC, among the nascent city-states of southern Mesopotamia (Leick 2001:5). The earliest versions of Sumerian writing consisted of simple wedge patterns on clay tablets, and arose out of a need to record the surpluses of animal and plant domestication (Innis 1950:30), a technology which was reshaping human behavior in the Fertile Crescent and elsewhere. Surpluses of food meant permanent settlements, and walled city states built to defend the newfound wealth (McNeill 1976:32-33). Conflict arose as never before, and both work and war became realities. It is perhaps significant that Cain, a farmer, commits the Bible's first murder.
Religious life reflected a utilitarian aim, as the priest-kings and their subordinates combined political, economic, and religious duties, as Innis shows:
"Lists, inventories, records, and accounts of temples and small city-states suggest the concern of the god as capitalist, landlord, and bank (1950:31)."
Babylon's cuneiform marked the beginning of history, for it was the first attempt at a uniform written language. The tale of the Tower of Babel in Chapter 11 of Genesis regards such uniformity and control in secular hands with suspicion. No wonder then, that the jealous deity scattered the tower's builders with a lapse in communication.
As the populations of the city states grew and specialization increased, pressure was exerted on cuneiform to express a broader range of ideas. Ideograms, such as wavy lines to represent water, began to be incorporated into a growing toolkit of symbols (Leick 2001:69). In Egypt as well, image-based writing slowly evolved from pure bookkeeping to express more complex spiritual concepts. This meant in many cases the gradual incorporation of signs that represented sounds (Innis 1950:26), though these were most likely mnemonic devices for oral learning (Leick 2001:69).
Religion in the city-states was usually an admixture of agricultural polytheism and state-sponsored monolatry, with one god-king reigning supreme over both the people and the pantheon. According to Max Weber, strong centralized kingships in the Fertile Crescent, who wielded the concentrated power necessary for large-scale irrigation works in arid agricultural environments, contributed to the view of a unitary deity with similarly concentrated power (Kalberg 1994:567-568).
However, the knowledge of writing was a closely guarded secret. It is telling that Thoth, the Egyptian god responsible for scribes and writing, came to be regarded as the god of magic by the 16th century B.C. (Innis 1950:22). The stratified nature of writing technology was inseparable from the stratified classes of bureaucrats in the Ancient world (Goody and Watt, 1963:314). It was preserved as a secret ritual, and was the key element in an incredibly conservative ruling class, which, like many of the writing styles of these ancient societies, remained virtually unchanged for centuries (Goody and Watt 1963:315). So at best, the elites of these pictorial societies were literate, while the masses beneath them retained their oral (and aural) sensibilities.
The conservative nature of non-phonetic writing (for which symbols only exist which are thought important enough to symbolize), say Goody and Watt, makes it likely that phonetic literacy would have taken root outside the boundaries of the great non-phonetic kingdoms (1963:315). So it is not surprising that the Phoenicians, Semitic traders on the Western and Northern frontiers of the Babylonian and Egyptian empires, respectively, would develop and spread the world's first phonetic alphabet across the Mediterranean beginning around 1200 B.C.
The Phoenician abjad (an alphabet lacking vowels) could be adapted to any language with minimal effort. And it was; Goody and Watt call the alphabet "the most extreme example of cultural diffusion; all existing or recorded alphabets derive from Semitic syllabaries developed during the second millennium (1963:316)." The Phoenicians' southern neighbors, the Hebrews, received the abjad as a promethean injunction and experienced a flowering of nascent nationalism, made possible in part by the decline of Egypt (Innis 1950:54), and perhaps by the unification of Yahweh(a storm god) and El (a solar deity) into one being. The key to this common identity, Weber says, was the shift to monotheism inspired by the gift of writing:
"As a consequence of the covenant between Yahweh and the peoples of the twelve tribes of Israel and Judea, this mighty god could not be simply a functional, tribal, or local deity (Kalberg 1994:570)."
Weber claims that what set Hebrew religion apart was a "contractual relationship" between God and His clients, which "despite numerous analogues, is found nowhere else in such intensity (Kalberg 1994: 569)." Innis suggests that the Hebrew emphasis on the sacred nature of the word reflects a reaction against the Egyptian and Babylonian emphasis on architecture and sculpture. "The written letter replaced the image as an object of worship," Innis says (1950:53).
In any case, stone and clay tablets imply a certain permanence, of moral lessons that were locked in from generation to generation, literally "carved in stone". It is no coincidence that the Jews are known as "the People of the Book". Ian Young notes how often God is depicted as a writer:
This conception of God as the writer par excellence probably reflects the prestigious connection of writing with government, priesthood and nobility (1998:247-248)."
The mental exercise of abstraction present in the Middle Eastern religions, namely the conception of one infinite deity paradoxically without physical form, is a ritualization of the same process necessary for reading. Phonetic literacy involves the reduction of the physical world first to a series of sounds, which is to say spoken language. From there, the sounds are further abstracted into discrete visual symbols. Now completely divorced from the physical world, these are arranged in ways that, with the proper training, reconstruct symbols representing the physical world. The commandments against worshipping other gods and graven images imply an obsession with abstracting reality to the highest degree possible.
Indeed, the Koran is another story about the power of words, even more so than the stories contained within. The basic premise of the Islamic holy book is that of a man chosen to be God's personal stenographer. Whereas the Bible is seen by Jews and Christians as a collection of stories about God, the Koran is considered by Muslims to be directly dictated by God. The words themselves become objects of worship. Many Muslims consider copies of the Koran sacred, and proscribe strict guidelines for how to treat the books. Since Muslims share the Jewish injunction against idolatry, pictorial representations of Koranic verses are forbidden. Thus, the verses themselves are often written in lavish calligraphy, seemingly fetishizing the symbolic words in the Koran beyond their literal meaning.
The Arabic abjad is a descendant of the Aramaic script that was the lingua franca in the fading Assyrian Empire, a relic of the Arameans it conquered and scattered throughout its borders (Leick 2001:258-259). O. Hegyi explores the close dialectical relationship between Islam and Arabic, both of which were developed within a century of each other:
"In the course of its spread, the Arabic alphabet – aided by conquest, commercial penetration, and the simultaneous propagation of Islam – became second only to the Latin alphabet in regard to territorial expansion (1979:262)."
Hegyi takes pains to note that even in Islamic communities with radically different linguistic traditions, from Africa to Southeast Asia, the Arabic alphabet is considered an integral part of the faith (1979:266).
Conclusion
There is little doubt in my mind that technologies exert tremendous influence on human behavior, most of it unseen. What is unclear is the degree to which new and old technologies are shaping us (and our older technologies). In an age when the morning paper contains ancient history, the effects of media are tightening around our necks like iPod headphones.
I must admit to a slight feeling of disappointment with the limitations of time and space as regard this paper. I feel as though I was just getting warmed up, when diarrhea of the word processor and a ticking clock foiled my carefully-laid plans for The Perfect Paper. In my historical discussion of the alphabet's relationship with monotheism, I soon realized with dismay that if I wanted to trace the Greek contributions to the alphabet (namely, vowels) and spiritual technology (the rise of pure logic, Euclidean geometry, and the changes to the Greek pantheon which literacy brought), I would need several more pages than would be polite to turn in. And that's not even mentioning the alphabet fetishization of the Christians ("In the beginning there was the Word and the Word was God…" and "I am the Alpha and the Omega; I am the beginning and the ending…."), complete with the fragmentation of the Church during the Reformation sparked by the printing press. And writing that much more wouldn't be fair to my fingers. Or my beleaguered professor.
In the end, I may have picked too broad a topic, but I was wary of trying to take any particular religion out of the context of its historical and technological foundations. I just wanted to show monotheism as an accumulation of logical adaptations to the environment. This paper, like monotheism, seemed like a good idea at the time.
Still, I think I have laid out a theoretical framework with which I may confidently approach a society, its technological toolkit, and its religious tradition with some amount of understanding.
To review:
Human technologies come from the fusion of two of our basic human instincts; the capacity for language and our social instinct. Technologies augment the human form and each other, while changing on every level how we interact with the world and creating an entirely new environment. The struggle to maintain equilibrium in the face of this constant change has given rise to religion, which we can perhaps classify as a counter-medium, but is really a "spiritual technology" for collective stress release.
The problem with this theory of media ecology is that there are so many factors, so many technologies and fluid environmental variables, that it is difficult to conclusively prove anything. At a certain point you might as well be studying chaos theory. But some media, like the alphabet, exert such powerful effects that we can observe their distinct qualities in relief compared with non-alphabetic societies.
I was also pleasantly surprised to find that the theories of Professors McLuhan and Malinowski dovetailed to a degree that made this paper much easier to write. If nothing else, this indicates to me that media ecology is quite compatible with a utilitarian perspective.
References Cited
1956 The Holy Bible (King James Version). New York: American Bible Society
Campbell, Joseph 1973 The Hero with a Thousand Faces. Princeton: Princeton University Press
Deacon, Terrence W. 1997 The Symbolic Species: The Co-evolution of Language and the Brain. New York: W.W. Norton & Company
Goody, Jack and Watt, Ian The Consequences of Literacy (in Literacy and Society) in Comparative Studies in Society and History, Vol. 5, No. 3. (Apr., 1963), pp. 304-345
Hegyi, O. ] Minority and Restricted Uses of the Arabic Alphabet: The Aljamiado Phenomenon in Journal of the American Oriental Society, Vol. 99, No. 2. (Apr. - Jun., 1979), pp. 262-269.
Kalberg, Stephen Max Weber's Analysis of the Rise of Monotheism: A Reconstruction in The British Journal of Sociology, Vol. 45, No. 4. (Dec., 1994), pp. 563-583
Leakey, Richard E. 1982 Origins: The Emergence and Evolution of Our Species and its Possible Future. New York: E.P. Dutton
Leick, Gwendolyn 2001 Mesopotamia: The Invention of the City. London: Penguin Books
McLuhan, Marshall 1964 Understanding Media: The Extensions of Man. New York: McGraw-Hill
McNeill, William H. 1976 Plagues and Peoples. New York: Bantam Doubleday Dell Publishing Group, Inc.
Morgan, Lewis Henry (1877) Ethnical Periods, in Anthropological theory: An Introductory History. (3rd Ed. 2004) R. Jon McGee and Richard L. Warms, eds. p.63. New York: McGraw-Hill
Schlain, Leonard 1993 Art & Physics: Parallel Visions in Space, Time and Light. New York: Harper-Collins
Young, Ian M. Israelite Literacy: Interpreting the Evidence: Part I in Vetus Testamentum, Vol. 48, Fasc. 2. (Apr., 1998), pp. 239-253.
Hey all, I know I've been neglecting you for too long. Well, I'm a busy lil' necrojournalist. I just wanted to let y'all know I finally got off my ass and recorded some new tracks for my Day of the Zombie rock opera. You can hear some of them at www.myspace.com/dayofthezombie . For now, it's just me and a guitar, but my other tentacles are scattered to the winds for now.
Go on, sign out of here and go check it out. I know, I know, MySpace sucks. So does the freeway, but I don't see you sticking to the surface streets.
For those of you in Portland, some of you will be recieving CDs in the mail very soon. And it looks like the big stage production will be taking place at Noah's new space Someday, on Jan. 13, 2006. Yayyy!!! Thanks Noah. This is going to rock like friggin' basalt.
Also, I checked wikipedia the other day and found that the entry I wrote for S.P.A.M. Records had been deleted, apparently for a lack of citations. I thought I had submitted enough references to change their minds, but the comments from the wiki lords made it clear that they were intent on deleting it. Several of them questioned whether the label had actually existed, though I felt like I was fairly thorough in providing links to web archives, band interviews, etc.
For some reason I think another entry might recieve the same treatment. It's not easy to cite references for a group that was never the most technology savvy, and only had a web presence for the last year and a half of its existence. Especially when the whims of the wikistocracy are so fickle. Plus, why should I be on a personal crusade to inform people about a defunct label? The important things, the ways that S.P.A.M. affected people, were and are for the most part intangible. A few bands that still exist have S.P.A.M. as an early and slightly embarrassing notch on their belt, a smudge on their discography before they moved on to better things. Perhaps after I finish the Bobby Joe Ebola book someone can use that as a reference. (sigh) By the way, the wiki entry I wrote for Geekfest is also under citation scrutiny, and I fear the worst. But I'm also quite lazy. In addition, I have this nagging feeling that it would be a little unseemly if I were the only one to provide citations. After all, isn't wikipedia about the democratization of data? Maybe it's that as a journalist the concept of 'conflict of interest' is deeply ingrained within me. Yeah, that's it. The bong has nothing to do with it.
I feel like I've been slacking off on my writing. I would like nothing more than to sit and write and link stuff to other stuff. Unfortunately, I've been distracted with school. I just wish they would assign me some writing in school. Instead, we're slogging through marxist-feminist critiques of structuralism. Which is fine, and very engaging, but for me, a normal-looking white male, my Foundations of Anthropological Theory class has become something of a verbal minefield. Like, how do you describe anthropology while avoiding use of the word "culture", which is apparently loaded with condescending colonialism? It's a fun exercise, but what about when you're reading the essays of, say, Susan Ortner, in whose 30-year-old theories I found a few problems. People look at me somewhat askance for questioning them, and I worry sometimes that to them, I am "that guy", the token white male reactionary. I'm just trying to be engaged in the class. This shit isn't cheap; the more I speak up, the more I get out of the class. Even if I'm proved wrong, that's great, I'm learning.
We've been talking about how our frame of reference informs the kinds of conclusions we come to, and even the questions we ask (or don't ask). Anthropology, like journalism, is dealing with the growing pains that come with shedding the notion of pure objectivity as a possibility, or even as a desirable goal. We watched What the Bleep do We Know, which is basically saying quantum theory is proving everything is possible. And so forth. So based on the theoretical framework you're working with (marxist, feminist, functionalist, structuralist, etc.) you'll reach certain conclusions.
Anyhow, one exchange went like this:
Professor Ferreira: So, class, Miss Ortner writes that the subjugation of women is a human universal. That in every culture, women are considered inferior. So what does this tell us?
(silence)
Professor Ferreira: Anybody?
Me: Um, Miss Ortner sees subjugation everwhere she looks?
(shuffling feet and muffled laughter)
Professor Ferreira (covering mouth with folder): Ah, well, ahem- That's not exactly what I was looking for.
~~~ I can't help it, I'm something of an incurable smartass/gadfly. I just hope my teacher doesn't have some theoretical framework she's working with that makes our relationship antagonistic.
I won't go into precisely what problems I had with the essay, other than that Ortner was projecting not only her feminist leanings onto every culture she was looking at, she was projecting assumptions about human thought that I think reflect her Western literary bias.
Whatever. Really what I wanted to write about today was my zombie rock opera, Day of the Zombie. I finally got the CD of a recent acoustic recording my friend Jon did of me. You can hear a few of the tracks on the MySpace thingy. Right now, I have some of the more recent ones up.
Also, happy birthday weekend to me! Today some folks are coming over, hopefully not so many that I am distracted from a massive game of D&D miniatures. We're gonna, um, whip out our little guys and battle with them.
It's been too long, my children. Things have been extra busy here, and I've been extraordinarily lazy about writing lately, so let's cover just the highlights:
Night of the Living Geekfest was a total success. Thanks to all the bands that played, old friends and new. It was slightly less uncomfortable than I remember the old shows being, but maybe as we get old we slip more and more easily into our comfort zones. And honestly, the bemused discomfort of organizing a chaotic show has perhaps become one of my comfort zones. I think the rest of the boys would agree.
The only real discomfort I felt was just how damn cool it felt. I mean, for the most part we were delivering what people wanted; a bunch of bands people like, all together in one place for free. That's not really what Geekfest started about though. That part was kind of an afterthought. It was primarily a place for bands that had nowhere else to go. It was a pillow fort for kids playing Cowboys and Indians, or perhaps a pillow Lollapalooza for bands playing at rock stars.
It wasn't that people started going to Geekfest to see a bunch of bands they liked. That came later. People showed up because they were in a band that was playing, and either they didn't have a way to leave or they had come so far that to leave would be to completely waste their day. So regardless of how little they had in common with the people and other bands around them, they stayed. To fill the time, they played on the swingset at Point Molate. They picked up foam swords. They took acid. Meanwhile people with as few social skills and as little cred took the no-stage and fiddled with their amps. I think feedback and technical difficulties accounted for a fifth of all Geekfest stage time.
So discomfort, physical, social, and aural, was always one of the underlying tenets of what made a Geekfest. But somehow a bunch of us began to take refuge in that environment, like a lichen living on a windswept atoll where nothing else can survive. Good for us; it was here that we put our roots down for once, and with that toxic yet solid gound beneath us, we were able to grow into the kinds of people we always imagined we could be when nobody else saw it in us. We didn't know it at the time, but people we didn't know were taking comfort from what we were doing. Geekfest was a selfish, self-promoting act of stubborn childishness, a refusal to grow up even when it was easier to make 30K a year doing tech support than it was to get your band booked anywhere but the Berkeley Square. It's like George Bernard Shaw said: "The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man."
I suppose what I'm trying to saw is that Geekfest grew out of particular circumstances, a specific nexus of time, space, and personalities. The discomfort I felt at the Geekfest 10-year anniversary is perhaps a shade of my own mortality, because I know I don't need Geekfest like I once did. I know that shows like this helped some people.
I know that there are still people out there who need Geekfest, or at least an updated version. I hope, as we once all hoped, that people who see the good that comes out of shows like that will take the initiative to do their own damn thing. Not because Geekfest isn't theirs; it is. But it's too easy to be passive, to consume a festival or art show the same way we consume TV. There's a need for something interactive, for people to feel like they get to be part of an event, as opposed to standing there watching a stage as though it were simply a giant screen.
Imagine Geekfest not as a one-time event, but as a virus. It's not something that has been accomplished and completed, but a collection of unresolved feelings and sexual frustration that occasionally reaches critical mass. When that happens, you start seeing funny little flyers all over town...
In other news, I've started classes at SF State. Due to some really irritating bureaucratic tangles, I wasn't able to register for classes until a week before they started. I had to sit in on a bunch of classes and turn on the ol' undead charm to be a "walk in". After several days of running up and down several flights of stairs in several buildings on campus, I am settled into three classes I can actually use. Too bad I had to drop "Late Antiquity". But the final result is that I'm a real live college student! The irony does not escape me, so don't even start. My typical commute involves a harrowing and hilly 25-minute bike ride through El Sobrante, Rickmond, and El Cerrito, followed by about an hour on BART and Muni. But am I complaining? No way, man. I love going to school.
One more thing: I've begun collecting D&D minis. If you don't know what these are, they're like those old lead figurines that principled geeks spend endless hours painting. But these are pre-painted, and come with cards that have their battle statistics ready to go. They're collectible, like baseball cards or those little plastic Homies guys. And you can mix & match them to build little gangs for brutal geekery with less preparation than a game of RISK.
I'm something of a latecomer to RPGs. In Boy Scouts I was denied the chance to play D&D with the older kids. I wasn't cool enough for AD&D, apparently. Looking back, I'm glad I had no idea how low on the social totem pole that put me.
The first time I really got into D&D I was maybe 18 or 19. Shawn the Zombie Killah was the DM, and me, Dylan and John were on acid. It was sweet. It immediately made me wish I'd had RPG friends when I was 10 or 11. Most of my friends had gotten it out of their system, and the older you get, the harder it is to get a bunch of ugly adults together for dice-rolling. People have jobs, wives, kids, and other "better" things to do.
So I've begun collecting minis, partly because it can be played with only 2 people (though it would be more fun with more people), and I'll take any kind of game-playing I can get at this late stage.
However, for those of you interested in tabletop D&D, I've decided I will run another episode of my Dark Tower-inspired Darksun campaign. Let me know if you want to get in on it and we'll talk about the specifics. If you don't know what I'm talking about, scroll back to my blog from May or go here on tribe.net.
That is all. Now I go jogging. Happy Birthday, 1ManBanjo!
I have come to realize something about Portland, Oregon. I know of no other city in America which has so many places to get a greasy post-hangover breakfast. And I don't mean chains like Waffle House or Denny's, though you can find those too. I'm talking about small, independent places with kitschy themes and beautiful tattooed waitresses and incongruent bric-a-brac on the walls that give a knowing bemusement to the bleary and bloodshot set.
It makes sense, of course. Portland is a hipster's paradise, where the young and the restless make their memories, then promptly forget them, during their slow, inexorable slide into boozy irrelevance. There are a million bars, clubs, and breweries in Puddletown, like many other places, but Portland has this mystique for young white slackers, where outlandish behavior gets kind of a free pass, whether you live there or not. Especially if you're in the smirking guitar and tattoo set. (What could be more ironic than a bunch of guys going to a strip club? Is there such a thing as a post-feminist male? Maybe since Sept. 11 and the 'death of irony' they're just actually going to a strip club to see tits.) In any case, Portland is like Vegas for people who don't like to gamble.
Estrella and I got a late start, nursing our strength after our housewarming party the night before. We didn't leave until maybe 10:30 the following night, after hours of lying in bed watching Battlestar Galactica (which is really awesome, by the way; Edward James Olmos brings that American Me intensity into outer space).
I took the first driving shift, downing two Red Bulls at once and plodding up I-5, swerving dangerously at a safe speed. I made it as far as Grant's Pass before dawn, and then Estrella took us the rest of the way. We finally arrived in Portland around noon. Thus began our breakfast odyssey. The first place we went was SE Portland�s Paradox Cafe, known for its old-school dining counter and vegan breakfast selections. Not to be deterred, I ordered the huevos rancheros, which, though tasty, didn't come close to the rancheros at Sconehenge in Berkeley. Oddly enough, they came on top of the potatoes. The waitress knelt by our table and gave me heartfelt advice about the vegan cheese. Oh yes, and a small order of biscuits with pornographically good vegan gravy.
And so it went the whole week. We visited Beaterville, a broken-down automobile-themed diner on NE Killingsworth, with potatoes that looked like Denny�s potatoes, but were delicious.
There was also the Tin Shed, on NE Alberta. The Tin Shed was slightly more expensive, but the coffee was excellent and the choices of food were a little more yuppie. They have a scramble with candied walnuts and feta. You get the idea.
Ah yes, and Muddy's, on NE Mississippi. It's a small cafe inside a house, where they don't bug you if you sit there and read for two hours. The bacon was extra juicy and chubby, and the potatoes were thin-sliced and a bit chewy. Not my favorite, but the atmosphere made up for it, because we had a lot of reading to catch up on.
Probably this is because pretty much every day we were in Portland we spent at least 2 hours in Powell's City of Books, and never came out emptyhanded. For those of you who don�t know about Powell's, you are missing out on a book store which fills a city block and has books on just about any subject. I did happen to stump their workers, however, looking for books on media ecology. I saw their eyes light up as they took it as a personal challenge, and tried valiantly to help me. I suppose it gets boring pointing old ladies to the Da Vinci Code all day.
A list of the books I have added to my library:
*Strategy - B.H. Liddel Hart *The Barbarian West: The Early Middle Ages A.D. 400-100 - J.M. Wallace Hadrill *Guerillas: Journeys in the Insurgent World - Jon Lee Anderson *The Black Death: Natural and Human Disaster in Medieval Europe - *Robert S. Gottfried *The Sleeping Dragon - Joel Rosenberg *1632 - Eric Flint *Guns, Germs and Steel - Jared Diamond
Not to mention several comic books and knick-knacks. Hooray for going broke! More about my adventures later. I have some reading to catch up on now.
Thank you, Shawn, for inviting kegpony and I to see the Minibosses last night at the Hemlock in S.F. Not only did I get my geek on listening to soaring metal versions of Nintendo themes, it was actually the first show in a long time where I was super-impressed by the bands. OK, so the first one was a mediocre kind of shoegazing emo with surf influences, but I'm thankful to them because they were likely the only reason to see the headliners.
When we got there the room where the bands were was sold out. Slightly depressed, kegpony, Shawn and I ordered beers and played Mad Libs by the door guy, sending sad vibes over to him even as we laughed. Several people left and we were allowed in. Yay!
The next band after the unmentionable mediocrity was Less Pain Forever, who were also great. Two guys in white suits on guitar, and drum & keyboard, respectively. They reminded me of Bobby Joe in some ways, but also My friend Pukka Pangenitor and a little bit of Modest Mouse.
Anyhow, the only lasting downer was that the BART machine ate my ticket, worth about $48, a parting gift from g33kgrrl. Hopefully I can get those bastards to give me credit. Later I will post some Mad Lib highlights, because I am a self-indulgent fuck.
Cheers to a night of mirth, like an oasis in the desert.
I think it is partly because I've spent the last few months looking further and further forward, to the zombie opera performance in August, to school after that and for the next two years at least. The longest summers in my life have been spent fully immersed in the present. But the present has been so odd and disjointed and awkward, I almost as a reflex have focused on larger, more distant goals.
Another goal was added to my roster on Sunday, when my sensei suggested I test for my Nidan (2nd degree black belt). Keep in mind, he doesn't allow people to test until he is certain they will pass comfortably. So I took it as a profound compliment.
Mentally, and spiritually, I feel ready. But my body is still out of shape, part of the residual lethargy and weakness from my injury. I will need to do some rather strenuous training between now. Luckily, I now live a short walk from the dojo, and my school schedule at SF State will be such that I can in theory attend all four weekly karate classes.
Getting my shodan was one of my proudest accomplishments. I don't have a degree yet, but the black belt I currently have was the culmination of 5 years of study and effort (as well as quite a bit of drinking and fun). Originally, I started because three of my good friends were practicing, and they told me uechi-ryu was possibly the best style for defeating zombies.
Now, they have all moved on, in radically different directions. Clark finally came back to class long enough to get his Shodan, but I never see him. He understood the forms, and had the movements down, but there was never any fire to them, no killing instinct. Shawn? He got married, and his enthusiasm for the practice waned just after he made brown belt. He was always the best natural fighter of us, but the least disciplined. Dylan? His enthusiasm never faltered, but his artistic journeys took him far and wide, and he stopped practicing. He always broke our sensei’s Rule #2: “Never smell worse than sensei.”
It was pretty lonely for me for a long time, and I felt abandoned by friends with whom I’d trained and fought and learned. But I stuck with it; I’d become addicted to the feeling of being in tune with my body, with actually getting good at something. It helped keep me balanced when everything else in my life went absolutely chaos-apeshit.
In all honesty I think my sensei helped fill a lot of the gaps in my life left from having no male role models to speak of. Sure, I had a drunk-ass dad and a smoldering feud with my stepfather. But nobody ever taught me anything; how to shave, how to drive, how to fix a car or shoot a gun. And those countless other little things that fathers teach their sons about the world, things I either never learned or had to learn by myself.
And there’s a community in uechi-ryu. It’s a pretty diverse crowd; there’s a goofy brain surgeon from Seattle, Central Valley rednecks, a retired Marine and old-school Republican, and a socialist pot-smoking Iranian expatriate, among others. We argue about everything, but our relationship is grounded in a common respect for each other as martial artists. So it never gets nasty, because we always retreat back into the safe haven of mutual respect and begin again. We only meet a couple of times a year, at the association workouts in May and November. This is when the belt tests occur, and when the senior instructors (of whom my sensei, a 7th degree black belt, is one) impart little gems of sarcasm. And after that, the drinking begins. Legendary quantities of booze and cigars are consumed, and often some terribly embarrassing karaoke.
In any case, I’m looking forward to the party after the belt test. And after that? Well, officially I could start my own school after 3rd degree black belt. But let’s not jump too far ahead. I've still got to get through this summer.
My grandmother showed me a scrapbook last night, one assembled by her father during the early days of America's involvement in World War II. It begins the day after Pearl Harbor, and continues to Dec. 23, 1941. I couldn't put it down, fascinated both as a journalist and as an American living during wartime.
Historically, of course, this is a gem, for several reasons. It gives an interesting picture of how the attack was dealt with in the newspapers, and roughly where people's heads were at. Along with the main headlines describing the attack and its immediate military meanings, the scrapbook is peppered with smaller headlines and two- or three-paragraph stories: "Isolation Sentiment Fades in Capital" "Soldiers Urged to Learn Flying", "Pacific Coast Girds For War", "736 Japanese Nationals Arrested Throughout U.S." etc.
There's a story about a Honolulu lawyer, Roy A. Vitousek, who was flying his private airplane (how rich did you have to be to have your own airplane in 1941?) when the Japanese first approached Pearl Harbor:
"Flying closer to inspect the strange craft, Vitousek was greeted with a burst of machine gun fire. He dived for the ground and landed with many bullet holes in his plane."
Lacking a scanner right now, I can't show you folks the faded photographs of the first victims of the attack, or of roadblocks set up in Oakland to guard the airport. There is a particularly haunting AP photo of a man looking over his shoulder at a roaring fire, holding a long stick. The caption: "A member of the staff of the Japanese Embassy in Washington is shown burning official papers on the embassy lawn a few minutes after first reports of the Japanese attack on the Pacific Islands. Similar scenes occurred at various Japanese consulates."
This man can't have known about the attack beforehand. Did he suspect it was coming? What was he thinking? Was he afraid? Proud?
Another striking aspect of these old clippings is just how detailed they are. An infograph compares the naval strength of both nations in the Pacific, detailing how many battleships, carriers, submarines, cruisers and submarines each nation possessed. This kind of detail would likely be considered treasonous if it were printed today.
Of course, what struck me most were the parallels between the beginning of WWII and the first weeks following Sept. 11, 2001. The levels of alert, to be announced by the Tribune siren and on the radio, were color-coded for some strange reason. How do you color-code a siren?
"This is the way radio warnings are relayed by the Alameda County Council of Defense: White: All Clear Yellow: Precautionary Blue: Precautionary - planes approaching nearer. Red: Enemy is here in seven minutes"
Yes, I see. How useful.
Of course, Congress gave almost unanimous support for war in both cases. In both cases, the sole dissenting voice was that of a woman in the House of Representatives. In our time, it was Democrat Barbara Lee of Oakland, Ca. In 1941, it was Republican Jeanette Rankin of Montana (who had also voted against a war declaration in 1917). There are also parallels in the Commander in Chiefs' explanations of the conflicts ahead. In some cases, it's downright eerie.
Roosevelt's Talk:
President Predicts Long, Hard War and Calls For Increased Sacrifices
FDR: "There is no such thing as impregnable defense against powerful aggressors who sneak up in the dark and strike without warning. We have learned that our ocean-girt hemisphere is not immunes from attack - that we cannot measure our safety in terms of miles on any map, any more."
But somehow, FDR comes across as being somewhat more sincere. Perhaps he had better speechwriters. Perhaps the threat in 1941 was, well, more real. But I don't take comfort when Bush tells us not to worry, because our military has it under control. Don't worry, Iraq will be a pushover. Of course, he's also imploring us to shit our pants with fear at both angry cave-dwelling fundamentalist bloggers and at the idea of maybe eating smaller portions and riding our bikes instead of stuffing our faces with the hormone-bloated meat of factory mutants from the comfort of our Ford Instigator.
Anyhow, don't you wish Bush had stood on the rubble of Ground Zero and said something like this?:
"We are now in this war. We are all in it all the way. Every single man, woman and child is a partner in the most tremendous undertaking in our American history. We must share together the bad news and the good news, the defeats and the victories - the changing fortunes of war."
If FDR had been sitting in his wheelchair atop the still smoking ruins of the Twin Towers, he might have said these things, just as he did Dec. 8, 1941. He might also have announced that taxes would have to be levied, to pay for this monumental effort. And you know what? I'd be OK with that. A tax, to pay for a necessary war. If it's that vital, if it's a matter of survival, well gee, OK. If our boys are over there fighting and dying, if it's that important, OK, I can make this sacrifice. I'd consider it an investment in the dividends of lasting peace. Can I get a witness?
But no. This...thing we're doing in Iraq, which, like every other war in history is a war over land and natural resources, is sold to us as something we can do from the comfort of our homes. A tax would only draw our attention en masse to the war; it would solidify that a sacrifice is being made for the common good. But the common good is a concept that the spoiled princes currently in power would like to erase from our memories, like a bad dream.
They're betting that the thing we want most is not to be bothered; that we want our air conditioning and our instant communication and Hot Pockets and iPods to drown out the sounds of misery and desperation and hunger around us. That for the New America, freedom is a word for convenience; the freedom to choose between two identically corrupt white aristocrats to rule over us; the freedom to choose Large or Extra-Large everything; the freedom to choose between slavery and starvation; the freedom to exploit or be exploited.
They are betting that it's not worth it to us to march on Washington, all of us, carrying pitchforks and torches and demanding the Beasts' heads on sticks. We have too much to lose, after all. Perhaps they are right. And by the time we don't have too much to lose, it will be too late. Not just for us, but for several billion people who have put up with more bullshit than us, and who will be, most likely, quite unsympathetic to our plight. The oil will be gone. The water will be concentrated in a few hands. The air won't be of much use to anyone. Damn it all, don't eat us. We're AMERICANS.
One last thing before I go to bed, one last little snippet from Great-Grandpa Vernon's World War II scrapbook. You may think of it as an eyewitness account of heroism of the highest order. You may dismiss it as particularly ghoulish propaganda. It is an excerpt from an interview with a Navy chaplain who survived Pearl Harbor, printed in the Oakland Tribune, Dec. 8 or 9 1941:
'They died Gloriously' Says Chaplain in Vivid Description of Attack on Hawaii
" I was in the thickest of the attack," said Chaplain MacGuire. "Our 130,000,000 Americans would glow if they could have seen how our boys died. It was glorious. Nay a whimper! They manned their guns until the decks buckled with the heat." The chaplain wiped his blue eyes. "Ah, how game," he said. " At the Marine barracks where the wounded lay that Sunday, if a worse wounded man was brought in, a man with a leg missing or an arm missing would say 'for God's sake I'm all right, put him here on the table. Take me out of here.' "And while this business was going on those Japs were still machine-gunning - do you get the picture I'm telling you lad? Badly burned men without clothes carrying blankets begged me, 'I want to get back to my ship. I want to get back to my gun.'"